Contenido principal del artículo

Behnam Rezvani Sichani
Department of English Language and Literature, University of Isfahan
Irán, República islámica de
https://orcid.org/0000-0002-2029-8153
Mohammad Amiryousefi
Department of English Language and Literature, University of Isfahan
Irán, República islámica de
https://orcid.org/0000-0003-3779-1523
Zahra Amirian
Department of English Language and Literature, University of Isfahan
Irán, República islámica de
https://orcid.org/0000-0001-9274-352X
Vol. 32 (2021), Artículos Originales, Páginas 111-129
DOI: https://doi.org/10.30827/sendebar.v32.15480
Recibido: Oct 31, 2020 Publicado: Nov 5, 2021
Derechos de autor

Resumen

En los últimos años, el estudio del concepto de “ideología” en la traducción audiovisual ha captado la atención de los investigadores en el ámbito de la traducción. El presente estudio tiene como objetivo examinar el impacto de la ideología en la traducción audiovisual de tres películas de animación de Hollywood. En primer lugar, se ha abordado el concepto de ideología y hegemonía en las producciones de Hollywood. En segundo, ha sido evaluada minuciosamente la traducción de elementos culturales, así como los tabúes; finalmente los casos mencionados se han examinado desde la perspectiva de la teoría de Venuti (2008). Los resultados, en síntesis, indican que los traductores hacen todo lo posible para adaptar las películas originales y lograr una versión localizada de las mismas. Asimismo, sugieren que ocupar una posición cultural “subordinada” y “minoritaria” o bien una “hegemónica” desempeña un papel clave en las decisiones de los traductores. Es decir, cuando se está traduciendo de una cultura dominante a una minoritaria, se forma una especie de resistencia, que conlleva que las instituciones culturales de la sociedad de destino utilicen la traducción como su último bastión cultural.

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