Cut and Conceptlism in Matías Celedon’s La Filial (2013)
DOI:
https://doi.org/10.30827/rl.v0i24.9317Keywords:
conceptualism, novel, Chile, alienation.Abstract
Matías Celedón's “novel” La Filial (2013) is an hybrid text in its materiality and conceptual writing strategies. This article highlights literary genealogies of Celedón’s work, related to visual poetry and some forms of conceptualism in literature. The text is analyzed through the notion of "cut", investigating how the text is written from disruptions in time and space, where states of exception can be associated, as well as forms of alienation and estrangement. The heterogeneity of codes and registers, the minimalism as an object, the ambiguous and figurative language, are some of the features in La Filial that makes this work an artifact throughout its possible to question the way in which we construct memory and history.
Downloads
References
Alberro, Alexander. “Reconsidering conceptual art”. Conceptual art: a critical anthology. Alexander Alberro and Blake Stimson (eds.), Cambridge, Mass., MIT Press, 1999, pp. XVI-XXXVII.
Almonte, Carlos y Meller, Alan. Neoconceptualismo: el secuestro del origen. Delhi, Sarak Editions, 2001.
Amaro, Lorena. “Formas de salir de casa, o cómo escapar del Ogro: relatos de filiación en la literatura chilena reciente”. Literatura y lingüística, n.º 29, 2014, pp. 109-129.
Areco, Macarena. Cartografía de la novela chilena reciente: realismos, experimentalismos, hibridaciones y subgéneros. Santiago, Ceibo, 2014.
Aros Legrand, Pablo. “Visión del cuerpo: un recorrido corporo-textual a partir de los años setenta en Chile”. Revista de literaturas hispánicas, nº 5, 2017, disponible en: www.joveneshispanistas.com [1/04/2019].
Cussen, Felipe. Neoconceptualismo: Ensayos. Delhi: Sarak Editions, 2014.
Bongers, Wolfang. “Memoria, medios audiovisuales y literatura expandida en la narrativa chilena reciente (Baradit, Fernández, Zambra)”. Revista de Humanidades, nº 37, 2018, pp. 103-130.
Dworkin, Craig. “The Faith of Echo”. Against Expression. An Anthology of Conceptual Writing. Craig Dworkin and Kenneth Goldsmith (eds.). Evanston, Illinios, Nothwestern UP, 2011.
Fink, Bruce. The Lacanian Subject. Between Subject and Jouissance. Princeton, Princeton UP, 1995.
Goldsmith, Kenneth. “Why conceptual writing, why now”. Against Expression. An Anthology of Conceptual Writing. Craig Dworkin and Kenneth Goldsmith (eds.). Evanston, Illinios, Nothwestern UP, 2011.
Jameson, Fredreric. Postmodernism or the Cultural Logic of Late Capitalism. Durhma, Duke, UP, 1991.
Klein, Naomi. The shock doctrine: the rise of disaster capitalism. New York, Metropolitan Books/Henry Holt, 2007.
Manzi Cembrano, Jorge. “Ilegibilidad en la novela: El caso de Cristián Barros”. Cartografía de la novela chilena reciente: realismos, experimentalismos, hibridaciones y subgéneros. Santiago, Ceibo, 2014, pp. 151-167.
——— . “Experimentalismos en la novela chilena reciente. La ilegibilidad como estilo.” Cartografía de la novela chilena reciente: realismos, experimentalismos, hibridaciones y subgéneros. Santiago, Ceibo, 2014. pp. 51-74.
Meller, Alan y Almonte, Carlos. Neoconceptualismo: el secuestro del origen. Delhi, Sarak Editions, 2001.
Paez, Dennis. Poesía visual en Chile. Una cartografía de las prácticas visuales de la poesía chilena. Tesis magíster. Santiago, Universidad de Santiago de Chile, 2012.
Richard, Nelly. “Lo político y lo crítico en el arte. ¿Quién le tiene miedo a la neovanguardia?”. Revista de crítica cultural, n.º 28, 2004, pp. 30-39.
Sarabia, Rosa. La poética visual de Vicente Huidobro. Frankfurt am Main, Vervuert, Madrid, Iberoamericana, 2007.
Thayer, Willy. El fragmento repetido: escritos en estado de excepción. Santiago, Metales Pesados, 2006.
Wershler, Darren. “Conceptual Writing”. The Johns Hopkins Guide to Digital Media. Baltimore, MD, The Johns Hopkins UP, 2014, p. 89.
Published
How to Cite
Issue
Section
License
Revista Letral is an open access journal under a Creative Commons Atribución-NoComercial 4.0 license.
The works published in this journal may be reused, distributed and publicly presented for non-commercial purposes, provided that: cite the authorship and the original source of the publication (journal, publisher and URL of the work).
We strongly recommended you to share our published articles in social and scientific networks, institutional and public repositories, personal or institutional websites, blogs, Google Scholar, ORCID, ResearchID, ScopusID, etc.
The journal allow the author(s) to hold the copyright and to retain publishing rights without restrictions.
We are completely free, both for readers and authors.