Ars fingendi musicum carmen. Critical interest of musical recitations and instrumental adaptations without lyrics
DOI:
https://doi.org/10.30827/impossibilia.282024.30936Keywords:
Intermediality, Program Music, Controlled Vocabularies, Music-literary relationships, Aesthetics of Music, Comparative Literature, IntertextualityAbstract
The relationships between music and literature present numerous challenges that have been approached from various critical perspectives. Thus, proposals have been developed to tackle questions that arise in a field that, by its nature, operates at the boundaries between disciplines, media, and genres. Building on these contributions, taxonomies have been created to facilitate the study of such relationships while simultaneously encouraging theoretical reflection. Additionally, the development of databases requires a terminological consensus that is difficult to achieve without resorting to controlled vocabularies. Therefore, in this article, we analyze literary-musical relationships distinct from songs that, due to their progressive departure from literary texts, pose theoretical and analytical problems. We review the foundations of pieces based on texts and explore cases of interest. We conclude by maintaining that, although these compositions may dispense with the text, they contain information of interest to the critic.
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