The other Conquest of the Americas in Lau rent Binet’s "Civilizations"
DOI:
https://doi.org/10.30827/impossibilia.252023.26921Keywords:
ucronía, narrativa francesa, novela histórica, Laurent Binet, Civilizaciones, Historia alternativa, hipótesisAbstract
This paper attempts to reconstruct the use made by Laurent Binet’s most classical pattern of historical fiction and historiography to propose an uchronia tale in a another world’ scenario, where civilizations encounter occurs in a different way. Adopting uchronia as its basis, his novel Civilizations is analyzed in the light of current literary and historiographic approaches, as its nuanced plot spins at a multidimensional scale, to reveal also an original and genuine questioning about literature itself.
Downloads
References
AURELL, Jaume; BALMACEDA, Catalina; BURKE, Peter; & SOZA, Felipe. (2013). Comprender el pasado. Una historia de la escritura y el pensamiento histórico. Tres Cantos (Madrid): Akal.
BINET, Laurent. (2010). HHhH. Paris: Grasset & Fasquelle.
BINET, Laurent. (2015). La septième fonction du langage. Paris: Grasset & Fasquelle.
BINET, Laurent. (2019). Civilizations. Paris: Grasset & Fasquelle.
BLOCH, Ernst. (1970). Entfremdung, Verfremdung [Alienation, Estrangement] (Trad. HALLEY, Anne y SUVIN, Darko). The Drama Review: TDR, 15(1), 120–125. https://doi.org/10.2307/1144598
BRACHER, Nathan. (2015). Une histoire nommée désir : revivre le passé à l’imparfait du présent avec HHhH de Laurent Binet. Zeitschrift für französische Sprache und Literatur, 125(2), 134–150. http://www.jstor.org/stable/26603298
BURKE, Peter. [ed.] (2001). New Perspectives on Historical Writing. Cambridge: Polity Press.
HENRIET, Éric B. (2004). L’Histoire revisitée. Panorama de l’Uchronie sous toutes ses formes. París: Les Belles Lettres.
GARCÍA-ROMEU, José. (2012). Rupturas en las visiones de América: de la utopía a la ucronía, Babel, (26). https://doi.org/10.4000/babel.2555
HELLEKSON, Karen. (2000). Toward a Taxonomy of the Alternate History Genre. Extrapolation, 41(3), 248-256. https://link.gale.com/apps/doc/A66121849/LitRC?u=anon~a40da61d&sid=googleScholar&xid=a0afad4d
MECHERI, Lamia. (2021). La représentation de l’Europe méridionale dans Civilizations de Laurent Binet. Synergies Portugal, (9), 143-155.
RODIEK, Christof. (1997). Kontrafaktische Geschichtsdarstellung (Uchronie) in der Literatur, Frankfurt/Main: Vittorio Klostermann.
SPIEGEL, Simon. (2008). Things Made Strange: On the Concept of “Estrangement” in Science Fiction Theory. Science Fiction Studies, 35(3), 369–385. http://www.jstor.org/stable/25475174
SUVIN, Darko. (1972). On the Poetics of the Science Fiction Genre. College English, 34(3), 372–382. https://doi.org/10.2307/375141
THOMAS, Hugh (2007). La conquista de México (Trad. ALBA, Víctor; & BOUNE, C.), Barcelona: Planeta.
WINTHROP-YOUNG, Geoffrey. (2009). Fallacies and Thresholds: Notes on the Early Evolution of Alternate History. Historical Social Research / Historische Sozialforschung, 34(2,128), 99–117. http://www.jstor.org/stable/20762357
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Impossibilia. Revista Internacional de Estudios Literarios
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
You are free to share, copy and redistribute the material in any medium or format under the following terms: You must give appropriate credit, you may not use the material for commercial purposes and No Derivatives. Commits to respecting third party intellectual property rights.
Reception and proccesing of papers has no costs for authors.
Author assumes responsibility for the ideas contained in the article.
Papers must be original and must not have been published before and at the moment they are submitted, papers should not be in the process of evaluation by any other electronic or printed media.
The authors are allowed and recommended to publish their published work through the internet. It could produced interesting exchanges and increase the published work citation. (See El efecto del acceso abierto).