Julio Cortázar y Marcel Duchamp o nuevos encuentros a deshora
Abstract
Este trabajo analiza los puntos de convergencia entre Julio Cortázar y Marcel Duchamp a través de las alusiones implícitas y explícitas al artista francés en los libros-collage de Cortázar La vuelta al día en ochenta mundos (1967) y Último round (1969).
Abstract: This paper analyzes the convergences between Julio Cortázar and Marcel Duchamp through the implicit and explicit mentions of the French artist in Cortazar’s collage-books La vuelta al día en ochenta mundos (1967) and Último round (1969).
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