Relationship between autofiction and metatheatre: one example in brazilian dramaturgy
DOI:
https://doi.org/10.32112/2174.2464.2017.170Abstract
Resumen: Este artigo tem como objetivo analisar a existência de um teatro autoficcional na dramaturgia contemporânea. A partir do neologismo de Doubrovsky, a questão sobre a impossibilidade de um teatro autobiográfico parece resolvida na medida em que o discurso não se apresenta como autobiográfico; tampouco se percebe sua total ficcionalidade devido à explícita ambiguidade do discurso. Seja por meio do texto ou por recursos cênicos, elementos autobiográficos e empíricos são incluídos no cenário ficcional, estabelecendo um efeito metateatral. A fim de ilustrar esse possível teatro autoficcional, utilizamos um exemplo da dramaturgia contemporânea que fricciona real e ficcional. Tal fricção questiona não o que é real e o que é ficcional, mas o que é teatro e, consequentemente, o que é o sujeito.
Palavras-chave: teatro, autoficção, teatro autoficcional, metateatro, teatro contemporâneo
Abstract: This article aims to analize out the existence of an autofictional theatre in contemporary dramaturgy. From the neologism of Doubrovsky, the issue about the impossibility of an autobiographical theater seems resolved as the speech is not presented as autobiographical; nor does it realize its full fictionality due to explicit ambiguity of the speech. Either through the text or by scenic resources, autobiographical and empirical elements are included in the fictional scenario, setting a metatheatrical effect. In order to illustrate this possible autofictional theatre, We use a example of contemporary dramaturgy rubbing real and fictional. Such friction asks what is real and what is fictional, but what is theater and, consequently, what is the subject.
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