Piscator and César Vallejo: The Beginnings of Proletarian Theater in Spanish
DOI:
https://doi.org/10.32112/2174.2464.2018.263Keywords:
Teatro, proletariado, revolución, Erwin Piscator, César Vallejo, Teatro soviético
Agencies:
Theater, Proletariät, Revolution, Erwin Piscator, César Vallejo, Soviet Theater
Abstract
The following article comparatively analyzes the theatrical theories of
Erwin Piscator (Das politische Theater, 1968) and César Vallejo (El arte y la revolución, 1973)
and their practical applications. It also attempts to locate César Vallejo’s theater within the
parameters of political theater. Piscator, Vallejo and other authors of revolutionary drama
present an ideological and aesthetic model in which the “new” proletarian aesthetics
overcomes that of the bourgeoisie. This aesthetics lie in the utilization of the cinematograph,
the interpretative techniques of collective characters, and the use of documentation from a
proletariat perspective.
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Published
2018-05-30
How to Cite
Vélez Sainz, J. (2018). Piscator and César Vallejo: The Beginnings of Proletarian Theater in Spanish. Impossibilia. Revista Internacional De Estudios Literarios, (15). https://doi.org/10.32112/2174.2464.2018.263
Issue
Section
Monographic
