El concepto de documento en poesía: experimentaciones contemporáneas
DOI:
https://doi.org/10.30827/rl.v0i11.3752Keywords:
ICT, Experimental Poetry, Joan Brossa, Digital Archive, Visual PoetryAbstract
The paper aims to analyse some tendencies in experimental poetry after the contemporary concept of ICT, considering how it has been used in literary scholarship. Such notions as simultaneity, reciprocity or publicity emerged in the 1960s as landmarks for the upcoming creative methods in poetry. Thanks to other concepts that have been used in most contemporary scholarship, such as poetic document, archive or redescription, one can discern a somehow longer chronology in the field of creation, previous to the digital era, in order to examine past works and events with the utmost practical and theoretical tools.Downloads
References
Apollinaire, Guillaume (1991). OEuvres en prose complètes II. París: Gallimard,Bibliothèque de la Pléiade.
Audí, Marc (2011). La poésie visuelle de Joan Brossa (1919-1998): description et analyse intégrales. París: Université Paris-Sorbonne.
Costa, Lis (2012). «Poesia alterada: els inicis de la poesia pública a la Barcelona dels anys vuitanta», en Catalan Review: international journal of Catalan culture, vol. 26, 107-122.
DD. AA (2011). « Toi aussi, tu as des armes ». poésie & politique. París: La fabrique éditions.
DD. AA (2011). De la revuelta a la posmodernidad (1962-1982). Madrid:MNCARS.
DD. AA (2009). Escrito está. Poesía experimental en España. Vitoria-Gasteiz: Artium.
DD. AA (1993). Poésure et peintrie, d’un art l’autre. Marsella: RMN.
Derrida, Jacques (1963). De la grammatologie. París: Minuit.
Donguy, Jacques (2007). Poésie(s) expérimentale(s). Zone numérique (1953-2007). Dijon: les presses du réel.
Foucault, Michel (1966). Les mots et les choses. París: Gallimard.
Foster, Hal (2005) [1996]. Le retour du réel. Situation actuelle de l’avantgarde.Bruselas: La lettre volée.
Hanna, Christophe (hiver 2011-2012). «L’“artification” de la poésie», en art21, nº32, París: Association Francophone d’Esthétique, 64-67.
––– (2010). Nos dispositifs poétiques. París: Questions théoriques. Krauss, Rosalind (1996). «La escultura en el campo expandido», en La originalidad de la vanguardia y otros mitos modernos. Madrid: Alianza Editorial, 289-303.
Leibovici, Franck (2007). des documents poétiques. París: Al Dante.
Lyotard, Jean-François (1971). Discours, figure. París: Klincksieck.
Pau, Santi (1972). Els jardins de Kronenburg. Barcelona: Llibres del Mall.
Downloads
Published
How to Cite
Issue
Section
License
Revista Letral is an open access journal under a Creative Commons Atribución-NoComercial 4.0 license.
The works published in this journal may be reused, distributed and publicly presented for non-commercial purposes, provided that: cite the authorship and the original source of the publication (journal, publisher and URL of the work).
We strongly recommended you to share our published articles in social and scientific networks, institutional and public repositories, personal or institutional websites, blogs, Google Scholar, ORCID, ResearchID, ScopusID, etc.
The journal allow the author(s) to hold the copyright and to retain publishing rights without restrictions.
We are completely free, both for readers and authors.
