La inviabilidad de lo racional en Alejandra Pizarnik
DOI:
https://doi.org/10.30827/rl.v0i8.3686Keywords:
Pizarnik, Argentinian poetry, 20th century, literary criticismAbstract
This paper proposes to read Alejandra Pizarnik’s poetry demystifying her legend by looking at her work. As we will show, her writing is fixed in the very process of enunciating. This paper analyzes Pizarnik’s poetical work from La tierra más ajena (1955), which shows the election of an alternative language, until El infierno musical (1971), including the diverse experimental jeux as well as her ability to create the possibility of reformulating the poetical discourse.Downloads
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