El estar aquí y el mirar allí de Alejandra Pizarnik: travesía por el arte europeo del siglo XX

Authors

  • Sandra Buenaventura University of Paris-Sorbonne. Paris IV

DOI:

https://doi.org/10.30827/rl.v0i8.3680

Keywords:

Alejandra Pizarnik, Argentinean poetry, dictatorship, Alice in Wonderland, myth of the double, transatlantic studies

Abstract

The poetry of Pizarnik plans as the shadow of an airplane over the landscape of certain transatlantic poetic traditions: the post-humanist and the neo-romantic. It may be said, however, that its incidence has been higher in a specific region: poetry written by women. What left the poetry of Pizarnik in Argentine women poets who began publishing after his death? What was her reception and her presence? We will attend to these issues, stopping in a romantic myth (the double) and in a character (Alice in Wonderland), both of European origin and very fruitful in the field of Argentinean literature.

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References

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Published

2012-06-01

How to Cite

Buenaventura, S. (2012). El estar aquí y el mirar allí de Alejandra Pizarnik: travesía por el arte europeo del siglo XX. Revista Letral, (8), 30–43. https://doi.org/10.30827/rl.v0i8.3680

Issue

Section

Transatlantic Studies