Onetti: primer plano

Authors

  • Pepa Merlo University of Granada

DOI:

https://doi.org/10.30827/rl.v0i2.3596

Keywords:

Juan Carlos Onetti, Film, Literature, Modernity.

Abstract

We live in an age of image and modernity must necessarily pass by it. The cinema and its lenguage are to walk with him almost from the start of his career, writing film chronicles for the daily newspaper Crítica, working for two years in an advertising agency or participating in adapting screenplays. All this is reflected in the way of narration, to build the spaces through which the characters of her stories, especially those written in recent years. It is for instance the short stories: "La mano" and "Los besos".

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References

Aínsa, Fernando. Las trampas de Onetti. Montevideo: Alfa, 1970.

___. “Los posibles de la imaginación” En Juan Carlos Onetti, Verani, Hugo J. (Ed.). El escritor y la crítica. Madrid: Taurus (1987): 115-153.

Alonso Barahona, F. Antropología del cine. Barcelona: C.I.L.E.H, 1992.

Baldelli, P. El cine y la obra literaria. Buenos Aires: Calerna, 1970.

Bordwell, D. La narración en el cine de ficción. Barcelona: Paidós, 1996.

Chion, M. El cine y sus oficios. Madrid: Cátedra, 1992.

Ludmer, Josefina. Onetti. Los procesos de construcción del relato. Buenos Aires: Sudamericana,1977.

Mattalia, Sonia. La figura en el tapiz (Teoría y práctica narrativa en Juan Carlos Onetti). London: Tamesis Books Limited, 1990.

Prego, Omar. Juan Carlos Onetti: perfil de un solitario. Montevideo:Trilce, 1986.

Onetti, Juan Carlos. Cuentos Completos. Madrid: Alfaguara, 2007.

Verani, Hugo J. (Ed.). Juan Carlos Onetti. Madrid: Taurus, 1987.

Published

2009-06-01

How to Cite

Merlo, P. (2009). Onetti: primer plano. Revista Letral, (2), 77–82. https://doi.org/10.30827/rl.v0i2.3596