Breve acercamiento a la configuración del género paródico en el teatro español
DOI:
https://doi.org/10.32112/2174.2464.2011.203Abstract
Este artículo pretende vincular las diferentes técnicas utilizadas en dramaturgia para
provocar el chiste y la risa del espectador con la configuración del género paródico que, dentro del teatro
español, se inicia a partir de la creación y afianzamiento de un teatro nacional. Se mostrará además cómo
la historia de la literatura necesita encontrar motivos trascendentales en diferentes obras paródicas como
condición necesaria para que las mismas sean incluidas dentro del canon.
This article is trying to link different drama techniques in order to make the joke and the
laughter of the audience with the configuration of the parody gender, within the Spanish drama starts
from the creation and establishment of a national theater. Moreover, it will show how the history of the
literature needs to find transcendental motives in different parody plays in order for them to be included
in the canon.
Cet article a l’intention de lier les différentes techniques utilisèrent dans la dramaturgie pour
provoquer la blague et susciter le rire du spectateur avec la configuration du parodique, dans le thèâtre
spagnol, qu’il on initie à partir de la creation et de la consolidation d’un thèâtre national. On démontrera
en plus comme l’histoire de la littérature il faut que trouve raisons très importantes dans différentes
œuvres parodiques pour y insèrent à l’intèrieur du canon.
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