Del “Romance de la luna, luna” a la “Danza da lúa en Santiago”: el astro-duende y la poética lorquiana
DOI:
https://doi.org/10.32112/2174.2464.2016.130Keywords:
Federico García Lorca, discourse analysis, metapoetry, Seis poemas galegos, semioticsAbstract
After examine the most important parameters of Lorca’s poetic theory between
1928 and 1933, I analyze discursively the role of the moon, as duende’s figure in the
“Romance de la luna, luna” and in the “Danza da lúa en Santiago”.
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