Book Review of Susana Patricia Ruiz Espinosa. La obra literaria abierta: del soporte digital al impreso

Authors

  • Maximiliano Jiménez University of Amsterdam

DOI:

https://doi.org/10.32112/2174.2464.2017.192

Keywords:

Susana Patricia Ruiz Espinosa, Print Technologies, Digital Technologies, Open Work

Abstract

It is not uncommon to find discussions regarding the current status of print materials and the impending end of the book as a literary support overshadowed by the increasing rise of digital literacy. Nevertheless, what about all those novels that are decidedly experimenting not only with their themes and narrative techniques but also with their visual presentations and tangible supports? To what extent are those precise digital developments pushing writers and readers to come up with new ways of reading and writing—be it as a rejection of the end of the book or merely as a creative exploration of the limits of story telling? These are some of the questions that guide Ruiz Espinosa's revision of contemporary narrative and which establish her book as a helpful starting point that contributes to the pertinent discussions developing around the notions that, in general, literary academia seems to have been taking for granted for a while.

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Author Biography

Maximiliano Jiménez, University of Amsterdam

Estudiante de la maestría de investigación en Literary Studies, Univesity of Amsterdam, para la cual obtuvo la beca FONCA-CONACYT para estudios en el extranjero (México, 2016). Licenciado en Lengua y Literaturas Modernas (Letras Inglesas) por la Facultad de Filosofía y Letras de la Universidad Nacional Autónoma de México (UNAM).

Published

2017-12-17

How to Cite

Jiménez, M. (2017). Book Review of Susana Patricia Ruiz Espinosa. La obra literaria abierta: del soporte digital al impreso. Impossibilia. Revista Internacional De Estudios Literarios, (14), 288–293. https://doi.org/10.32112/2174.2464.2017.192