French Cultural Repertoire in the Panic Theatre by Fernando Arrabal
DOI:
https://doi.org/10.32112/2174.2464.2019.293Keywords:
Panic movement, French Theatre, Dadaism, SurrealismAbstract
The Panic Movement, founded by Roland Topor, Alejandro Jodorowsky and Fernando Arrabal, was a milestone in the world dramaturgy because its proposal of a new model of theatrical performance. Despite the differences in content and form of its works, it is distinctive a series of elements of the French vanguardism that configures this artistic movement. We emphasize the importance of the French theatre for researching about the connections between the cultural French repertoire and the drama plays by Arrabal, specially El Arquitecto y el Emperador de Asiria. To this end, we proceed to a comparative analysis of the Panic theatre by Arrabal with the writings by Antonin Artaud, the theatre by Alfred Jarry, and the Surrealist movement.
Downloads
Published
How to Cite
Issue
Section
License
You are free to share, copy and redistribute the material in any medium or format under the following terms: You must give appropriate credit, you may not use the material for commercial purposes and No Derivatives. Commits to respecting third party intellectual property rights.
Reception and proccesing of papers has no costs for authors.
Author assumes responsibility for the ideas contained in the article.
Papers must be original and must not have been published before and at the moment they are submitted, papers should not be in the process of evaluation by any other electronic or printed media.
The authors are allowed and recommended to publish their published work through the internet. It could produced interesting exchanges and increase the published work citation. (See El efecto del acceso abierto).
