Writing beyond words: about the hybrid work of Verónica Gerber
DOI:
https://doi.org/10.32112/2174.2464.2019.326Keywords:
Verónica Gerber, Hybridization, Interdisciplinarity, Visuality in literature, Playful languajeAbstract
The Mexican Verónica Gerber Bicceci combines her work in the field of plastic arts with literature, opting for the production of hybrid texts in which letters and images complement each other. Gerber emphasizes that in the visual arts scene of Mexico City there are new strategies for creation, production and communication of projects, fostered by a greater permeability of the visual arts in the face of productive exchange with adjacent disciplines. In order to discover the potentialities and assess the results of this permeability, this essay will analyze what mechanisms allow Veronica Gerber a review of the uses that tradition associated with literature, on the one hand, and the visual arts, on the other, in her attempt to define them as closed and independent fields. To this end, reading hypotheses will be displayed for the works Mudanza (2013) and Conjunto vacío (2015).
Downloads
Published
How to Cite
Issue
Section
License
You are free to share, copy and redistribute the material in any medium or format under the following terms: You must give appropriate credit, you may not use the material for commercial purposes and No Derivatives. Commits to respecting third party intellectual property rights.
Reception and proccesing of papers has no costs for authors.
Author assumes responsibility for the ideas contained in the article.
Papers must be original and must not have been published before and at the moment they are submitted, papers should not be in the process of evaluation by any other electronic or printed media.
The authors are allowed and recommended to publish their published work through the internet. It could produced interesting exchanges and increase the published work citation. (See El efecto del acceso abierto).
