Авторская песня как многокодовый феномен

Resumen

This work is devoted to the analysis of author song as a multi-coded phenomenon. Thanks to its syncretic form, author song possesses an enormous potential for multi-layered transmission of meanings. Therefore, the singing poet affects the audience by means of an artistic text. What is more, he intensifies aesthetic impressions owing to the melody, the performance and the stage gestures. This result is impossible to gain through traditional poetry reading. Moreover, the primacy of the verbal code classifies author song as a literary phenomenon.  At the same time, the synthetic nature and open genre of author song make it a space for creative experiment within the scope of music, literature, theatre and painting.