The Problems of Language and Authenticity: Julian Barnes in Dialogue with Borges

Authors

  • Manuel BOTERO CAMACHO Universidad Complutense de Madrid
  • Sofia MARTINICORENA ZARATIEGUI Universidad Complutense de Madrid

DOI:

https://doi.org/10.30827/rl.v0i19.6669

Keywords:

Barnes, Borges, hypertext, Platonic connections, reality, reliability.

Abstract

The article attempts to make a comparative study of Flaubert’s Parrot (1984) and England, England (1998), two of Julian Barnes’ most celebrated novels, and Jorge Luis Borges’ selected short fiction. Knowing positively that Barnes read Borges, this text will trace the correspondences and (dis) similarities that constitute the echoes of Borges that can be uncovered in Barnes. The main focus will be on the notion of authenticity, its problematization and other subsidiary literary and philosophical obsessions common to both authors, namely the opposition between the archetype and the copy, identity problems and the reliability of memory. Language and its problems will be considered as the thread that binds all these topics together. The method employed will be the analysis of potential intertextuality regardless of biographical or contextual aspects.

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Author Biographies

Manuel BOTERO CAMACHO, Universidad Complutense de Madrid

Universidad Complutense de Madrid, España.

Sofia MARTINICORENA ZARATIEGUI, Universidad Complutense de Madrid

Universidad Complutense de Madrid, España.

References

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--- (2012). England, England. London: Vintage.

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Benjamin, Walter (2007). “The Work of Art in the Age of Mechanical Re- production”. Illuminations, edited by Hannah Arendt. New York: Schocken Books, 217-251.

Borges, Jorge Luis (1954). “Funes, el memorioso”, en Ficciones. Buenos Aires: Emecé Editores.

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--- (1996g). “La rosa de Paracelso”, en La memoria de Shakespeare, Obras Completas III. Barcelona: Emecé Editores.

--- (1996h). “Tlön, Uqbar, Orbis Tertius”, en Ficciones, Obras Completas I. Barcelona: Emecé Editores.

--- (1996i). “Avatares de la tortuga”, en Discusión, Obras Completas I. Barcelona: Emecé Editores.

Button Burlá, Flora (1994). Los juegos fantásticos. México D.F: Facultad de Filosofía y Letras. Universidad Autónoma de México

Eco, Umberto (2002). Interpretation and overinterpretation. Cambridge: Cambridge University Press.

Moneta, Leticia (2013). “El museo y la enciclopedia: Lecturas cruzadas de Borges y Barnes.” Confluenze, vol. 5, nº 2, 68-80.

---. “Borges y sus precursores: la obra de Julian Barnes” http://www. bn.gov.ar/media/page/moneta.pdf. Accessed 03/04/2017

Poe, Edgar Allan (1990). “The Oval Portrait” en Sixty-Seven Tales. New Jersey: Gramercy Books, 305-307.

Swift, Jonathan (1994). Gulliver’s Travels. Reading: Penguin Group.

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Published

2017-12-19

How to Cite

BOTERO CAMACHO, M., & MARTINICORENA ZARATIEGUI, S. (2017). The Problems of Language and Authenticity: Julian Barnes in Dialogue with Borges. Revista Letral, (19), 53–67. https://doi.org/10.30827/rl.v0i19.6669

Issue

Section

Miscellanea