Entre lo local y lo global. Legitimidad como apropiación y manipulación en el cine paraguayo contemporáneo: 7 cajas y Luna de cigarras
DOI:
https://doi.org/10.30827/rl.v0i14.3801Keywords:
Paraguayan Cinema, Genres, Legitimacy, Global, LocalAbstract
This article analyzes the process of internal legitimation of the two most successful films from Paraguay: 7 boxes and Cicada Moon. Starting with a discussion on Shyon Baumann’s general theory of artistic legitimation, I explore how the structures of these films are built. The use of genres such as gangsters movies, thriller, action, western, horror, and the aesthetics of Italian neorealism establish an internal discussion within the films: by manipulating and adapting foreign cultures it is possible to make a statement on local culture.Downloads
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