Junot Díaz y el canon, un “canibalismo líquido”

Authors

  • Rita De Maeseneer University of Antwerpen

DOI:

https://doi.org/10.30827/rl.v0i6.3647

Keywords:

Junot Díaz, Dominican-American Literature, Canon, Intertextuality

Abstract

The aim is to reflect on the position of The Brief Wondrous Life of Oscar Wao, written by Junot Díaz, in the World Republic of Letters. In order to achieve this goal, the different interpretations of canon will be commented on in relation to the book. The analysis of some examples will illustrate the changing and indeterminable way in which Díaz´s novel can be posited in relation to different canons. Díaz establishes dialogues with a fluid continuum of texts and concepts that contribute to increase the fragmentation, dispersion and dynamism from various points of view (east/west; north/east, intra-caribbean). Díaz applies what could be coined a “liquid canibalism”.

Downloads

Download data is not yet available.

References

Bauman, Zygmunt. Liquid Life. Cambridge: Polity Press, 2005.

Bautista, Daniel. “In and out the mainstream. Dominican-American Identity in How to date a whitegirl, browngirl, blackgirl or halfie”. Romance Notes. 49.1 (2009): 81-90.

Bourdieu, Pierre. Les règles de l`art. Paris: Seuil, 1998.

Céspedes, Diógenes y Silvio Torres-Saillant. “Fiction is the Poor Man´s Cinema. An Interview with Junot Díaz”. Callaloo. 23.3 (2000): 892-907.

Danticat, Edwidge. “Junot Díaz”. BOMB Magazine. 101 (otoño de 2007). 16 nov. 2008. http://www.bombsite.com/issues/101/articles/2948.

De Maeseneer, Rita. “The Brief Wondrous Life of Oscar Wao (2007) de Junot Díaz: una reflexión sobre autoritarismos”, “Pasaporte latino: viaje, cultura e identidad en la literatura hispana en los Estados Unidos”. La Nueva Literatura Hispánica. 2011: 243-262.

—. Seis ensayos sobre narrativa dominicana contemporánea. Santo Domingo: Publicaciones del Banco Central, 2011.

Díaz, Junot. The Brief Wondrous Life of Oscar Wao. New York: Riverhead Books, 2007.

—. La maravillosa vida breve de Óscar Wao. Barcelona: Random House Mondadori, 2008.

Fernández Porta, Eloy. Afterpop. La literature de la implosión mediática. Córdoba: Berenica, 2007.

Fernández Retamar, Roberto. Todo Calibán. La Habana: Editorial Letras Cubanas, 2000.

Garland Mahler, Anne. “The Writer as Superhero: Fighting the Colonial Curse in Junot Díaz´s The Brief Wondrous Life of Oscar Wao”. Journal of Latin American Cultural Studies. 19.2: 119-40.

Guillory, John. Cultural Capital: The Problem of Literary Canon Formation. Chicago & London: The University of Chicago Press, 1993.

Hardin, James (ed.). Reflection and Action. Essays on the Bildungsroman. Columbia, SC: University of South Carolina Press, 1991.

Kermode, Frank. “El control institucional de la interpretación”. El canon literario. Enric Sullà editor. Madrid: Arco/Libros (1998): 91-112.

Lago, Eduardo. “Estados Unidos tiene pesadillas en español”. El País. 1 de mayo 2008. http://www.elpais.com/articulo/cultura/EE/UU/tiene/pesadillas/espanol/elpepicul/20080501elpepicul_1/Tes.

Pérez Cino, Waldo. “A vueltas con el canon”. Iberoamericana. 22 (2006): 123-42.

Pollack, Sarah. “Latin America Translated (Again): Roberto Bolaño´s The Savage detectives in the United States”. Comparative Literature. 61:3 (2009): 346-65.

Pozuelo Yvancos, José María y Aradra Sánchez, Rosa María. Teoría del canon y literatura española. Madrid: Cátedra, 2000.

Walcott, Derek. The Star-Apple Kingdom. London: Jonathan.

Published

2011-06-01

How to Cite

De Maeseneer, R. (2011). Junot Díaz y el canon, un “canibalismo líquido”. Revista Letral, (6), 89–97. https://doi.org/10.30827/rl.v0i6.3647

Most read articles by the same author(s)