Manos, nomás: Los adioses de Onetti

Ana Gallego Cuiñas

doi:10.30827/rl.v0i2.3591

Manos, nomás: Los adioses de Onetti

Authors

Ana Gallego Cuiñas University of Granada

DOI:

https://doi.org/10.30827/rl.v0i2.3591

Keywords:

Onetti, Los Adioses, Point Of View, Henry James

Abstract

Juan Carlos Onetti’s Los adioses develops a fictional network that puts in game two strategic movements simultaneously. The first is retrospective and relates to writing: one is the narrator, who wants to discover the story of the basketball player, and the other it’s the meaning -the sense- that the narrator gives this story: why he appropriates the narrative material? and why the player is an interesting subject? The second strategic movement refers to reading and the empty of meaning that makes the text, which was crystallized in a particular use of language and in a singular form of access to knowledge: the impossibility of reading the truth.

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References

Aínsa, Fernando. Las trampas de Onetti. Montevideo: Alfa, 1970.

Brody, Robert. “El narrador de Los adioses”. Coloquio Internacional. La obra de Juan Carlos Onetti, Madrid: Editorial Fundamentos (1990): 31-36.

Ludmer, Josefina. Onetti: los procesos de construcción del relato. Buenos Aires: Sudamericana, 1977.

Molloy, Sylvia. “El relato como mercancía: Los adioses de Juan Carlos Onetti”. Hispamérica 23-34 (1979): 5-19.

Onetti, Juan Carlos. Los adioses. Buenos Aires: Editorial Calicanto, 1976.

Piglia, Ricardo. “Secreto y narración. Tesis sobre la nouvelle”. Eduardo Becerra (ed). El arquero inmóvil. Nuevas poéticas sobre el cuento. Madrid: Editorial Páginas de Espuma (2006): 187-205.

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Published

2009-06-01

How to Cite

Gallego Cuiñas, A. (2009). Manos, nomás: Los adioses de Onetti. Revista Letral, (2), 14–20. https://doi.org/10.30827/rl.v0i2.3591

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Issue

No. 2 (2009): Special Issue Juan Carlos Onetti

Section

Transatlantic Studies

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