Binaural sound in university music education: beyond traditional aural boundaries
DOI:
https://doi.org/10.30827/eticanet.v24i2.31342Keywords:
Binaural sound, University music education, Active listening, Music technologyAbstract
With the rapid development of Information and Communication Technologies, composition, production and sound design have been especially benefited as didactic resources for university music teaching. It is in this musical-educational context where emanates a sound procedure that, thanks to its technical and acoustic characteristics, becomes a fundamental instrument for the improvement of active listening in university students, the binaural sound. In this sense, the main objective of this research is to take advantage of the sound peculiarities of binaural sound as a tool to enhance active listening in university students. For this purpose, this action-research is approached from a quantitative method based on the technique of collecting information through different questionnaires -pre and posttest-, carried out by a total of 332 university students taking the subject of Music Education in the Degree of Primary Education at the University of Malaga. The results reveal the potential of this auditory phenomenon to enrich the sound experience and promote a more active and conscious listening.
Downloads
References
Aghaee, N., Hansson, H., Tedre, M., y Drougge, U. (2014). Learners’ Perceptions on the Structure and Usefulness of e-Resources for the Thesis Courses. European Journal of Open, Distance and E-Learning, 17, 154 - 171. https://doi.org/10.2478/eurodl-2014-0011.
Boren, B. (2018). History of 3D sound. En A. Roginska y P. Geluso (Eds.), Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio (pp.40-62). Routledge
Calderon-Garrido D., Carrera X. y Gustems-Carnicer J. (2021). La presencia de las TIC en las asignaturas de música de los Grados de Maestro: un análisis de los planes docentes. Revista Electrónica Complutense de Investigación en Educación Musical - RECIEM, 18, 127-138. https://doi.org/10.5209/reciem.64882
Calderón-Garrido D., Cisneros P., García I. D., Fernández D. y de las Heras-Fernández R. (2019). La tecnología digital en la educación musical: una revisión de la literatura científica. Revista Electrónica Complutense de Investigación en Educación Musical - RECIEM, 16, 43-55. https://doi.org/10.5209/reciem.60768
Cantón Mayo, I., y Baelo Álvarez, R. (2011). El profesorado universitario y las tecnologías de la información y de la comunicación (TIC): disponibilidad y formación. Educatio Siglo XXI, 29(1), 263–302. https://revistas.um.es/educatio/article/view/119971
Carrión Candel, E., y Roblizo Colmenero, M. J. (2022). Gamification and mobile learning: innovative experiences to motivate and optimise music content within university contexts. Music Education Research, 24 (3),377-392. https://doi.org/10.1080/14613808.2022.2042500
Gimeno, C.; Sánchez-Azqueta, C.; Celma, S. y Aldea, C. (2016). Electrónica enREDada: An experience with a webinar program. En 2nd. International conference on higher education advances (HEAD'16). Editorial Universitat Politècnica de València. 78-83. https://doi.org/10.4995/HEAD16.2015.2552
López Melgarejo, A. M., López Muñoz, N., y de Moya Martínez, M. del V. (2023). Musication: un recurso TIC para docentes de Música: Musication: an ICT resource for music teachers. ENSAYOS. Revista De La Facultad De Educación De Albacete, 38(1), 63–79. https://doi.org/10.18239/ensayos.v38i1.3254
Martín Félez, D. (2020). Bandas sonoras y herramientas TIC como ejes principales de la didáctica de la música para futuros maestros de Educación Primaria. Recursos facilitados en el área «Fundamentos de la Educación Musical». Popular Music Research Today: Revista Online De Divulgación Musicológica, 2(2), 101–124. https://doi.org/10.14201/pmrt.23920
Mendoza Ponce, J. y Galera Núñez, M. M. (2011). Tecnología Musical y Creatividad: Una experiencia en la formación de maestros. Revista de la Lista Electrónica Europea de Música en la Educación, 28, 24-36. https://idus.us.es/xmlui/bitstream/handle/11441/16317/file_1.pdf?sequence=1
Montoya-Rubio, J.C., López-Núñez, N. y López-Melgarejo, A.M. (2023). Innovación TIC en los Planes de Estudio de las Menciones de Música en los Grados de Educación en España. RiiTE Revista interuniversitaria de investigación en tecnología educativa 15, 157-171. https://doi.org/10.6018/riite.578641
Pathak, B. K. (2016). Emerging online educational models and the transformation of traditional universities. Electronic Markets, 26(4), 315-321. https://link.springer.com/article/10.1007/s12525-016-0223-4
Rodríguez Mariño, R. (2011). Técnicas de sonido binaural en la postproducción audiovisual. [Trabajo de Fin de Máster, Escuela politécnica superior de Gandía]. Universidad Politécnica de Valencia. https://riunet.upv.es/handle/10251/14732
Roginska, A. (2018). Binaural Audio Through Headphones. En A. Roginska y P. Geluso (Eds.), Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio (pp.88-121). Routledge
Roginska, A., y Geluso, P. (Eds.). (2018). Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio. Routledge.
Santos-Caamaño, F.-J., Vázquez-Cancelo, M.-J., y Rodríguez-Machado, E.-R. (2021). Tecnologías digitales y ecologías de aprendizaje: desafíos y oportunidades. Educatio Siglo XXI, 39(2), 19–40. https://doi.org/10.6018/educatio.466091
Stecker, G., y Gallun, F. (2012). Binaural Hearing, Sound Localization, and Spatial Hearing. En Kelly l. Tremblay y Robert F. Burkard (Eds.), Translational Perspectives in Auditory Neuroscience: Normal Aspects of Hearing. Plural Publishing, 383-433. https://www.researchgate.net/publication/230717146_Binaural_Hearing_Sound_Localization_and_Spatial_Hearing
Stephan, P. (2009). Binaural Recording Technology: A Historical Review and Possible Future Developments. Acta Acustica United with Acustica 95, 767–788. https://doi.org/10.3813/AAA.918208
Torres, J. A. (2009). Aplicación de técnica de grabación y mezcla binaural para audio comercial y/o publicitario. [Tesis doctoral, Pontificia Universidad Javeriana, Bogotá]. http://hdl.handle.net/10554/4390
Touriñán Morandeira, L. (2018). Música, educación y nuevas tecnologías: fundamentos pedagógicos de la relación. Educación “por” la música en la formación adulta universitaria a través de las TIC. Revista Boletín Redipe, 7, 39–77. https://revista.redipe.org/index.php/1/article/view/522
Tourón, J., Lizasoain Herández, L., Navarro-Asencio, E., y López González, E. (2023). Análisis de Datos y Medida en Educación. Vol. I. UNIR Editorial
Wenzel, E., Begault, D., y Godfroy-Cooper, M. (2018). Perception of Spatial Sound. En A. Roginska y P. Geluso (Eds.), Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio (pp.8-39). Routledge
Wilson J.R. y Krishnan A. (2005). Human frequency-following responses to binaural masking level difference stimuli. J Am Acad Audiol 16,184–195. https://doi.org/10.3766/jaaa.16.3.6
Downloads
Published
Issue
Section
License
The authors who publish in this journal agree to the following terms: The authors retain the copyright and grant the journal the right to be the first publication of the work as well as licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the authorship of the work and the initial publication in this magazine. Authors are allowed and encouraged to disseminate their work electronically (for example, in institutional repositories or on their own website) before and during the submission process, as it may lead to productive exchanges as well as further citation. Earliest and greatest of published works (See The Effect of Open Access).