Introducción
DOI:
https://doi.org/10.30827/tn.v6i1.27211Palabras clave:
Humanidades médicas, Julia Kristeva, Semiótica, Chora, Abyección, PsicoanálisisResumen
Una de las principales contribuciones de Julia Kristeva en todos los diversos campos de estudio en los que ha trabajado desde su aparición como teórica de la semiótica y la literatura de vanguardia a mediados de la década de 1960 es su atención al cuerpo y a lo corporal. Algunos de sus conceptos centrales de aquella época, como la semiótica, el semanálisis, la chora y el significante, han ayudado a teóricos de las artes y las humanidades, pero también de las ciencias sociales y médicas, a hacer justicia a la compleja vulnerabilidad del sujeto en proceso en la encrucijada entre la biología y el lenguaje. Es significativo que llegue a desarrollar el concepto de sujeto en proceso en un ensayo de 1972 sobre Antonin Artaud, cuya comprensión corpórea de la escritura permitió a Kristeva teorizar una experiencia literaria que se niega a estetizar el sufrimiento psíquico o corporal y que aspira a convertirse en un laboratorio para la incubación de nuevas percepciones de lo humano menos arrogantes con la especie.
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