1999 y la irrupción de la teoría
DOI:
https://doi.org/10.30827/tnj.v2i2.9600Palabras clave:
Matrix, Harry Potter, Buffy, cazavampiros, milenio, 1999, postmodernismResumen
El presente artículo analiza algunas de las ficciones clave que aparecieron en 1999: la primera película de Matrix, la tercera novela de Harry Potter y la cuarta temporada de Buffy, cazavampiros. Nuestro trabajo trata de demostrar que uno de los efectos inmediatos de estos textos, paradigmáticos de la estética postmoderna cada uno de ellos, consistió en fomentar el crecimiento de los estudios culturales a medio camino entre lo académico y lo popular. Al mismo tiempo, el presente artículo defiende, más allá de la importancia de esta bibliografía secundaria, la necesidad de tener en cuenta el contexto político y cultural de la época de estos textos para realizar un análisis correcto de los mismos.Descargas
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Works Cited
Film and television
Apocalypse Now. Directed by Francis Ford Coppola. Los Angeles: United Artists, 1979.
The Basketball Diaries. Directed by Scott Kalvert. Los Angeles: New Line Cinema, 1995.
Buffy the Vampire Slayer. Directed by Joss Whedon et al. Los Angeles: 20th Century Fox, 1997-2004.
Dogma. Directed by Kevin Smith. Los Angeles: Lions Gate, 1999.
Existenz. Directed by David Cronenberg. Los Angeles: Miramax, 1999.
Fight Club. Directed by David Fincher. Los Angles: 20th Century Fox, 1999.
Lost Highway. Directed by David Lynch. Los Angeles: October Films, .1997
The Matrix. Directed and written by Larry and Andy Wachowski. Los Angeles: Warner Bros, 1999.
Natural Born Killers, Directed by Oliver Stone. Los Angeles: Warner Bros, 1994.
The Truman Show. Directed by Peter Weir. Los Angeles: Paramount Pictures, 1998.
Books, Chapters and Articles
Attinello, Paul, Janet K. Halfyard, and Vanessa Knights, eds., Music, Sound and Silence in Buffy the Vampire Slayer. Aldershot: Ashgate, 2010.
Baggett, David and Shawn Klein, Harry Potter and Philosophy: If Aristotle Ran Hogwarts. New York: Barnes and Noble, 2004.
Barnett, P. Chad. “Reviving cyberpunk: (Re)constructing the subject and mapping cyberspace in the Wachowski Brother's film The Matrix”. Extrapolation, vol. 41, no. 4, 2000, pp. 359-374.
Baudrillard, Jean. Simulation and Simulacra, translated by Sheila Glaser. Ann Arbor: University of Michigan Press, 1984.
Blake, Andrew. The Irresistible Rise of Harry Potter. London: Verso, 2002.
Blazer, Alex E. “The Matrix Trilogy and the Revolutionary Drive through ‘The Desert of the Real’”. Literature/Film Quarterly, vol. 35, no. 4, 2007, pp. 265-273.
Brown, Brooks. No Easy Answers: the Truth behind Death at Columbine. New York: Lantern Books, 2002.
Bucknell, Brad. "Nostalgia for Progress: The New Aura and the Case of The Matrix. Wascana Review of Contemporary Poetry and Short Fiction, vol. 37, no. 1 2002, pp. 81-101.
Cullen, Dave. Columbine. New York: Hachette, 2009.
Durand, Kevin ed., Buffy meets the Academy: essays on the episodes and scripts as texts. Jefferson, North Carolina: McFarland, 2009.
Eschle, Catherine, ed., Critical Theories, International Relations and the Anti-Globalisation Movement: the Politics of Global Resistance. London: Routledge 2005.
Fisher, Mark. Capitalist Realism: Is There No Alternative? London: Zero Books, 2009.
Fukuyama, Francis. The End of History and the Last Man. New York: The Free Press, 1992.
Gillis, Stacey, ed., The Matrix Trilogy: Cyberpunk Reloaded. London: Wallflower Press, 2005.
Gray, Mike. Transfiguring transcendence in Harry Potter, His Dark Materials and Left Behind: fantasy rhetoric and contemporary visions of religious identity. Gottingen: Vandenhoeck and Ruprecht, 2013.
Hyatt, Michael S. The Millennium Bug: How to Survive the Coming Chaos. New York: Broadway Books,1999.
Irwin, William, ed., The Matrix and Philosophy: Welcome to the Desert of the Real. New York: Barnes and Noble, 2002.
____. More Matrix and Philosophy: Revolutions and Reloaded Decoded. New York: Barnes and Noble, 2005.
Jameson, Fredric. Postmodernism: or the Cultural Logic of Late Capitalism. Durham, North Carolina: Duke University Press, 1991.
Kapell Matthew, and William G. Doty, eds., Jacking In to the Matrix Franchise: Cultural Reception and Interpretation. London: Continuum, 2004.
Kassabian, Anahid, ‘Afterword’, in Attinello, Paul, Janet K. Halfyard, and Vanessa Knights, eds., Music, Sound and Silence in Buffy the Vampire Slayer. Aldershot: Ashgate, 2010, pp. 249-50.
Keegan, Cael. Lana and Lilly Wachowski: Sensing Transgender, Champaign, Illinois: University of Illinois Press, 2018.
Kilbourn, R.J.A., “Re-writing Reality: Reading The Matrix”. Canadian Journal of Film Studies, vol. 9, no. 2, 2000, pp. 43-54.
Kiely, Ray. The Clash of Globalisations: Neoliberalism, the Third Way, and Anti-Globalisation. London: Brill 2005.
Klein, Naomi. No Logo: Taking Aim at the Brand Bullies. London: Fourth Estate, 1999.
Lawrence Matt. Like a Splinter in your Mind: The Philosophy behind the Matrix Trilogy. Oxford: Blackwell Publishers, 2004.
Lyotard, François, The Postmodern Condition: a Report on Knowledge, translated by Geoff Bennington and Brian Massumi. Manchester: Manchester University Press, 1984.
Parks, Lisa and Elana Levine. Undead TV: Essays on Buffy the Vampire Slayer. Durham, North Carolina: Duke University Press, 2007.
Rowling, Joanne K. Harry Potter and the Prisoner of Azkaban. London: Bloomsbury, 1999.
¬____. Harry Potter and the Half-Blood Prince. London: Bloomsbury, 2005.
____. Harry Potter and the Deathly Hallows. London: Bloomsbury, 2007.
Seay, Chris and Greg Garrett. The Gospel Reloaded. Colorado Springs, Colorado: Pinon Press, 2003.
Shelley, Mary. Frankenstein: Or, The Modern Prometheus. 1818. London: Wordsworth Classics, 1992.
Simpkins, Rebekah. "Visualizing Jean Baudrillard's Simulacra and Simulation in The Matrix". Notes on Contemporary
Literature, no. 30, 2000, pp. 6-9.
Stroud, S.R. “Technology and mythic narrative: The Matrix as technological hero-quest”. Western Journal of Communication, vol. 65, no.4, 2001, pp. 416-441.
Tolkien, J.R.R. “Leaf by Niggle”, Tree and Leaf. London: George Allen and Unwin, 1964, pp. 73-92.
Whisman, Christopher J. Act Y2K: Low-Tech Survival for High-Tech Disaster. New York: Applied Resource Associates, 1999.
Wilcox, Rhonda V. Why Buffy Matters: The Art of Buffy the Vampire Slayer. New York: I. B. Tauris, 2005.
Wood, Lesley J. Direct Action, Deliberation and Diffusion: Collective Action after the WTO protests in Seattle. Cambridge: Cambridge University press, 2014.
Yeffeth, Glenn, ed., Taking the Red Pill: Science, Philosophy and Religion in The Matrix. Chichester: Summersdale, 2003.
Žižek, Slavoj. “The Matrix: Or, the Two Sides to Perversion”. William Irwin, ed., The Matrix and Philosophy: Welcome to the Desert of the Real. New York: Barnes and Noble, 2002a, pp. 240-266.
____. Welcome to the Desert of the Real. Five Essays on September 11 and Related Dates. London: Verso, 2002b.
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