1999 and the irruption of theory

Auteurs-es

  • Andrew John Blake University of the Arts London

DOI :

https://doi.org/10.30827/tnj.v2i2.9600

Mots-clés :

The Matrix, Harry Potter, Buffy The Vampire Slayer, Millennium, 1999, postmodernism

Résumé

The paper reviews key fictions which appeared in 1999: the first Matrix film, the third Harry Potter novel and the fourth television series of Buffy the Vampire Slayer. The paper contends that one of the immediate effects of these texts, each a paradigm of the postmodern aesthetic, was to promote the growth of crossover academic-popular cultural studies. It is argued that important though this secondary literature is, the immediate political and cultural context of these texts’ times needs to remain in sharper focus if we are to assess them properly.

 

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Biographie de l'auteur-e

Andrew John Blake, University of the Arts London

Associate Lecturer, Department of Journalism

Références

Works Cited

Film and television

Apocalypse Now. Directed by Francis Ford Coppola. Los Angeles: United Artists, 1979.

The Basketball Diaries. Directed by Scott Kalvert. Los Angeles: New Line Cinema, 1995.

Buffy the Vampire Slayer. Directed by Joss Whedon et al. Los Angeles: 20th Century Fox, 1997-2004.

Dogma. Directed by Kevin Smith. Los Angeles: Lions Gate, 1999.

Existenz. Directed by David Cronenberg. Los Angeles: Miramax, 1999.

Fight Club. Directed by David Fincher. Los Angles: 20th Century Fox, 1999.

Lost Highway. Directed by David Lynch. Los Angeles: October Films, .1997

The Matrix. Directed and written by Larry and Andy Wachowski. Los Angeles: Warner Bros, 1999.

Natural Born Killers, Directed by Oliver Stone. Los Angeles: Warner Bros, 1994.

The Truman Show. Directed by Peter Weir. Los Angeles: Paramount Pictures, 1998.

Books, Chapters and Articles

Attinello, Paul, Janet K. Halfyard, and Vanessa Knights, eds., Music, Sound and Silence in Buffy the Vampire Slayer. Aldershot: Ashgate, 2010.

Baggett, David and Shawn Klein, Harry Potter and Philosophy: If Aristotle Ran Hogwarts. New York: Barnes and Noble, 2004.

Barnett, P. Chad. “Reviving cyberpunk: (Re)constructing the subject and mapping cyberspace in the Wachowski Brother's film The Matrix”. Extrapolation, vol. 41, no. 4, 2000, pp. 359-374.

Baudrillard, Jean. Simulation and Simulacra, translated by Sheila Glaser. Ann Arbor: University of Michigan Press, 1984.

Blake, Andrew. The Irresistible Rise of Harry Potter. London: Verso, 2002.

Blazer, Alex E. “The Matrix Trilogy and the Revolutionary Drive through ‘The Desert of the Real’”. Literature/Film Quarterly, vol. 35, no. 4, 2007, pp. 265-273.

Brown, Brooks. No Easy Answers: the Truth behind Death at Columbine. New York: Lantern Books, 2002.

Bucknell, Brad. "Nostalgia for Progress: The New Aura and the Case of The Matrix. Wascana Review of Contemporary Poetry and Short Fiction, vol. 37, no. 1 2002, pp. 81-101.

Cullen, Dave. Columbine. New York: Hachette, 2009.

Durand, Kevin ed., Buffy meets the Academy: essays on the episodes and scripts as texts. Jefferson, North Carolina: McFarland, 2009.

Eschle, Catherine, ed., Critical Theories, International Relations and the Anti-Globalisation Movement: the Politics of Global Resistance. London: Routledge 2005.

Fisher, Mark. Capitalist Realism: Is There No Alternative? London: Zero Books, 2009.

Fukuyama, Francis. The End of History and the Last Man. New York: The Free Press, 1992.

Gillis, Stacey, ed., The Matrix Trilogy: Cyberpunk Reloaded. London: Wallflower Press, 2005.

Gray, Mike. Transfiguring transcendence in Harry Potter, His Dark Materials and Left Behind: fantasy rhetoric and contemporary visions of religious identity. Gottingen: Vandenhoeck and Ruprecht, 2013.

Hyatt, Michael S. The Millennium Bug: How to Survive the Coming Chaos. New York: Broadway Books,1999.

Irwin, William, ed., The Matrix and Philosophy: Welcome to the Desert of the Real. New York: Barnes and Noble, 2002.

____. More Matrix and Philosophy: Revolutions and Reloaded Decoded. New York: Barnes and Noble, 2005.

Jameson, Fredric. Postmodernism: or the Cultural Logic of Late Capitalism. Durham, North Carolina: Duke University Press, 1991.

Kapell Matthew, and William G. Doty, eds., Jacking In to the Matrix Franchise: Cultural Reception and Interpretation. London: Continuum, 2004.

Kassabian, Anahid, ‘Afterword’, in Attinello, Paul, Janet K. Halfyard, and Vanessa Knights, eds., Music, Sound and Silence in Buffy the Vampire Slayer. Aldershot: Ashgate, 2010, pp. 249-50.

Keegan, Cael. Lana and Lilly Wachowski: Sensing Transgender, Champaign, Illinois: University of Illinois Press, 2018.

Kilbourn, R.J.A., “Re-writing Reality: Reading The Matrix”. Canadian Journal of Film Studies, vol. 9, no. 2, 2000, pp. 43-54.

Kiely, Ray. The Clash of Globalisations: Neoliberalism, the Third Way, and Anti-Globalisation. London: Brill 2005.

Klein, Naomi. No Logo: Taking Aim at the Brand Bullies. London: Fourth Estate, 1999.

Lawrence Matt. Like a Splinter in your Mind: The Philosophy behind the Matrix Trilogy. Oxford: Blackwell Publishers, 2004.

Lyotard, François, The Postmodern Condition: a Report on Knowledge, translated by Geoff Bennington and Brian Massumi. Manchester: Manchester University Press, 1984.

Parks, Lisa and Elana Levine. Undead TV: Essays on Buffy the Vampire Slayer. Durham, North Carolina: Duke University Press, 2007.

Rowling, Joanne K. Harry Potter and the Prisoner of Azkaban. London: Bloomsbury, 1999.

¬____. Harry Potter and the Half-Blood Prince. London: Bloomsbury, 2005.

____. Harry Potter and the Deathly Hallows. London: Bloomsbury, 2007.

Seay, Chris and Greg Garrett. The Gospel Reloaded. Colorado Springs, Colorado: Pinon Press, 2003.

Shelley, Mary. Frankenstein: Or, The Modern Prometheus. 1818. London: Wordsworth Classics, 1992.

Simpkins, Rebekah. "Visualizing Jean Baudrillard's Simulacra and Simulation in The Matrix". Notes on Contemporary

Literature, no. 30, 2000, pp. 6-9.

Stroud, S.R. “Technology and mythic narrative: The Matrix as technological hero-quest”. Western Journal of Communication, vol. 65, no.4, 2001, pp. 416-441.

Tolkien, J.R.R. “Leaf by Niggle”, Tree and Leaf. London: George Allen and Unwin, 1964, pp. 73-92.

Whisman, Christopher J. Act Y2K: Low-Tech Survival for High-Tech Disaster. New York: Applied Resource Associates, 1999.

Wilcox, Rhonda V. Why Buffy Matters: The Art of Buffy the Vampire Slayer. New York: I. B. Tauris, 2005.

Wood, Lesley J. Direct Action, Deliberation and Diffusion: Collective Action after the WTO protests in Seattle. Cambridge: Cambridge University press, 2014.

Yeffeth, Glenn, ed., Taking the Red Pill: Science, Philosophy and Religion in The Matrix. Chichester: Summersdale, 2003.

Žižek, Slavoj. “The Matrix: Or, the Two Sides to Perversion”. William Irwin, ed., The Matrix and Philosophy: Welcome to the Desert of the Real. New York: Barnes and Noble, 2002a, pp. 240-266.

____. Welcome to the Desert of the Real. Five Essays on September 11 and Related Dates. London: Verso, 2002b.

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Publié-e

2019-07-29

Comment citer

Blake, A. J. (2019). 1999 and the irruption of theory. Theory Now. Journal of Literature, Critique, and Thought, 2(2), 165–181. https://doi.org/10.30827/tnj.v2i2.9600

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Rubrique

Varia