Of stones and horses. A possible archive about Cordobazo in the cinema

Abstract

In general terms, the archive is considered as a repository of traces that implies storage, intellection and some immanent truth. The so-called “archival turn” involves revisiting the notion of “archeology” and redefining the very concept of representation to problematize the usual approaches to documents and images of the past. This article proposes an archive about the “Cordobazo” from the cinematographic image that registers and configures the event since 1969.