Centers and Museums of Contemporary art in the face of a paradigm shift: the Andalusian case

Abstract

The canons that have traditionally marked the differences between art centers and museums have been subjected to profound paradigm changes in recent decades. The generation of own collections or the deposit of others have created additional problems for art centers, which have gone from being present exhibitors to futures deposits. The possible solutions would go through the enhancement of artistic funds and the articulation of museographic stores that allow the transformation of invisible assets into visible and participatory reagents.