ГУМАНИТАРНАЯ ПОЭТОСОФИЯ: К ПРОБЛЕМЕ ТВОРЧЕСКОГО БЫТИЯ ПОЭТИЧЕСКОГО ПРОИЗВЕДЕНИЯ (А.С. ПУШКИН И ИЕНСКИЕ РОМАНТИКИ)
Keywords:
poetisophy, Pushkin, Jena romanticistsAbstract
This article considers the problem of the creative life of the poetic product (object) in aesthetics. Pushkin is compared with the aesthetics of Jena romanticism through the prism of ‘poetosophy’. Consideration of the question in relation to ‘poetosophy’ is present in the development of his pedagogy, through the art of laws which sustain the creative life of the poetic product. For Pushkin, the problem of the creative life of the product is related, first and foremost, with reading. Developing the ideas of the Jena romantics concerning the infl uence of poetry and its meaning, Pushkin became an original Russian poetic genius, whose characters are drawn through parallelism with the universality of the Jena romanticist ideas about the creative life of the poetic product.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
CC BY-SA: This license allows reusers to distribute, remix, adapt, and build upon the material in any medium or format, so long as attribution is given to the creator. The license allows for commercial use. If you remix, adapt, or build upon the material, you must license the modified material under identical terms.
CC BY-SA includes the following elements:
BY – Credit must be given to the creator
SA – Adaptations must be shared under the same terms
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).