On the Occasion of Terry Eagleton's Honorary Doctorate, University of Santiago de Compostela, Spain

Authors

  • Christopher Norris Cardiff University

DOI:

https://doi.org/10.30827/tn.v5i2.25354

Keywords:

Terry Eagleton, Marxist literary Theory, Aesthetic Ideology, Cultural theory

Abstract

My essay–very much in the original, tentative and exploratory sense of the word–takes retrospective stock of Terry Eagleton’s (roughly speaking) early to middle-period work across its dauntingly diverse range of topics. I focus, naturally enough, on those books that have most strongly influenced my own thinking or–as so often–pointed me in new and deeply mind-changing directions. The approach is in part anecdotal as befits a recurrent crossing of paths that has kept me reading his work with a constant sense that, whatever the shifts in my own interest, his latest book or article is likely to open up some fresh and germane line of enquiry. Nobody has done more than Terry over the past fifty years to extend the possibilities of creative inter-disciplinary exchange that opened in the late 1960s and are now being closed down with ferocious zeal by a UK in government in quest of unthinking ideological compliance. In this tribute I focus chiefly on his successive approaches to the question of ideology as it figures not only in literary and cultural theory but in daily praxis and various contexts of communal experience.

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References

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Brooks, Peter. Body Work. Objects of Desire on Modern Narrative. Cambridge, MA., Harvard University Press, 1993.

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Eagleton, Terry. Shakespeare and Society. Critical Studies in Shakespearean Drama. New York, Schocken Books, 1967.

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____. Heathcliff and the Great Hunger. London, Verso, 1995.

____. Marxism and Literary Criticism. Oakland, University of California Press, 1976.

____. The Rape of Clarissa. Writing, Sexuality, and Class Struggle in Samuel Richardson. St. Paul, University of Minnesota Press, 1982.

____. The Function of Criticism: From the "Spectator" to Post-structuralism. London, Verso, 1984.

____. Literary Theory: An Introduction. St. Paul, University of Minnesota Press, 1983.

____. The Ideology of the Aesthetic. Oxford, Blackwell, 1990.

Empson, Steven. Some Versions of Pastoral: Literary Criticism. New York, A New Directions Paperbook, 1974.

____. Seven Types of Ambiguity [1935]. London, Chatto & Windus, 1947.

Leavis, Frank Raymond. Mass Civilisation and Minority Culture. Cambridge, The Minority Press, 1933.

____. The Critic as Anti-Philosopher. Athens (GE), University of Georgia Press, 1983.

Macherey, Pierre. A Theory of Literary Production [1966]. London, Routledge, 2006.

Regan, Stephen. The Eagleton Reader. Oxford, Wiley-Blackwell, 1998.

Warner, William Beatty. Reading Clarissa: The Struggles of Interpretation. New Haven, Yale University Press, 1979.

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Published

2022-07-29

How to Cite

Norris, C. . (2022). On the Occasion of Terry Eagleton’s Honorary Doctorate, University of Santiago de Compostela, Spain. Theory Now. Journal of Literature, Critique, and Thought, 5(2), 120–140. https://doi.org/10.30827/tn.v5i2.25354

Issue

Section

"That Dreadful Terry Eagleton": Politics, Ethics, and Literary Praxis