The individual and the group: a practical lesson from musical rhythm

Authors

  • Eduardo Lopes Universidade de Évora

DOI:

https://doi.org/10.30827/dreh.v0i1.7183

Keywords:

education, music, rhythm, percussion

Abstract

It is a well-accepted fact that music is present in all cultures and serves many functions. This unique position makes anthropologists consider music as a Human Universal. Therefore, the study of music is nothing less than the study of the Human Race. This is one of the reasons which support the inclusion of music education from the beginnings of the overall educational process. Rhythm is considered by many as the most fundamental music parameter, deeply rooted in our physiology and cognitive system. Many studies have shown that from an early age children perceptually relate to rhythmic structures by attempting to imitate them. This article will present some easy rhythm games that can be used in the classroom by many different age groups. By playing in rhythmic and metrical synchrony, students will develop group awareness and will be able to respond and adjust to other students within the context of a group situation. By fostering and practicing rhythm improvisation, students will also be able to find their own individuality and creativity without losing their awareness of group integration. The proposed rhythm games are a universal language tool that can be used through many educational stages, which promote individuality and social integration at the same time.

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Author Biography

Eduardo Lopes, Universidade de Évora

ID. ORCID: 0000-0003-2857-5992

Doctora en Historia del Arte por la Universidad de Granada (España).

Título Superior de Conservatorio especialidad de Piano; Licenciada en

Historia del Arte; Profesora de EGB (Educación General Básica).

Catedrática E.U. de Didáctica de la Expresión Musical de la Universidad

de Granada (España)

Miembro del Grupo de Investigación PAIDI HUM-672 A.R.E.A.

De 2022 a 2012 Responsable del Grupo de Investigación PAIDI HUM-742, con renuncia voluntaria a la dirección y vinculación como Investigadora al mismo Grupo hasta junio de 2016. Responsable Científica de DEDiCA. REVISTA DE EDUCAÇÃO E HUMANIDADES. De 2002 a 2009 Presidenta del CIMA (Centre for Intercultural Music & Arts).Responsable del SIEMAI ® (Simpósio Internacional Educação Música Artes Interculturais). De su producción científica señalar que tiene: * 26 artículos en Revistas Científicas indexadas, * 27 monografías, * 60 capítulos de libros, * 6 patentes, * 34 aportaciones a Actas de Congresos,* 9 Libros de Actas, * 18 Actividades de carácter científico profesional,  * 12 Estancias de Investigación en centros extranjeros de excelencia, * 7 participaciones en Entidades Científicas, * 5 participaciones en Comités Científicos de Revistas, * 13 participaciones en Proyectos I+D+i financiados, * 5 direcciones de Proyectos I+D+i financiados, *4 Tesis Doctorales dirigidas. Medalla de Plata de la Universidad de Granada, concedida en 31 de Marzo de 2008. Medalla por los Servicios Prestados a la Universidad de Granada, concedida en 28 de Abril de 2010.

References

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Lopes, E. (2003). Just in Time: Towards a theory of rhythm and metre. PhD Thesis, Music Department, University of Southampton.

Lopes, E. (2008a). Rhythm and Meter Compositional Tools in a Chopin’s Waltz. Ad Parnassum Journal, 6, 11 (2008) 64-84.

Lopes, E. (2008b). From Blues to Latin Just in Time: A rhythmic analysis of ‘Unit Seven’. Jazz Research Journal, 2, 1 (2008) 55-82.

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Rochberg, G. (1972). The Structure of Time in Music: Traditions and Contemporary Ramifications and Consequences. In J. T. Fraser; N. Lawrence (Eds.), The Study of Time II, 136-149. New York: Springer-Verlag.

Published

2011-03-01

How to Cite

Lopes, E. (2011). The individual and the group: a practical lesson from musical rhythm. DEDiCA. Journal of Education and the Humanities, (1), 497–510. https://doi.org/10.30827/dreh.v0i1.7183

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Section

Articles