The Semiotic Pulsions of Dickinson’s Poetry and their Medicinal Virtues

Charis Charalampous; Thalia Trigoni

doi:10.30827/tn.v6i1.26012

Autores/as

Charis Charalampous Rovira i Virgili University
Thalia Trigoni Rovira i Virgili University

DOI:

https://doi.org/10.30827/tn.v6i1.26012

Palabras clave:

Julia Kristeva, Emily Dickinson, Muerte, Genotexto, Semiótico, Abyecto, Discapacidad, Democracia de proximidad

Resumen

La tesis central de este ensayo es que la obra de Dickinson tiene implicaciones significativas para unas humanidades médicas críticas abiertas a la interfaz entre el lenguaje y la corporeidad. Demostramos que, al emplear lo que Kristeva denominaría una genotextualidad altamente efectiva y estéticamente potente, Dickinson logra transmitir dolor y pena. De este modo, permite un proceso de des-aislamiento e intercambio que puede tener efectos terapéuticos en el lector/oyente. Aquí, el sufrimiento no se convierte en erudición, en belleza o incluso en la nada como resultado de la negación. Dickinson, argumentamos, se convierte en una de las poetas-cirujanas de la abyección de Kristeva, en una poetisa que cultivó no solo la lealtad al malestar, sino también para superar la incapacidad de compartir dicho malestar. Evidenciamos que Dickinson logra este efecto a través de las pulsiones semióticas de su lenguaje, que tienen el potencial de facilitar el establecimiento de una democracia de proximidad que resuena en los niveles más profundos de la experiencia humana.

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