La edición y difusión en el <em>graffiti</em>. Una aproximación a la escena granadina de los noventa

Abstract

The fanzines sustained principally by the documentary photo, personified the collaboration spirit in the Graffiti of the 90s through a process of exchange of specific and unpublished information until then. We analyzed all this at a time when the distance communication system among graffiti writers was based exclusively on postal mail. Our case study focuses on a very specific context, the Graffiti scene in the city of Granada, from its gestation as a movement (1992-1993) to the arrival of the Internet (1997-1998), covering a dynamic period in which graphic and visual material was produced. In this way, we will consider the existing parallelism between the ways of doing in Graffiti and methods of editing and diffusion, analyzing the concepts of traveling, exploring and sharing information