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Authors

  • Antonio Fernández Puertas
Vol. 48 (1999), Articles, pages 59-104
Submitted: Apr 2, 2020
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Abstract

This design is based on dividing the W. oratory wall of the Mosque of 'Abd al-Rahman I in three equal squares, and the central square into seven equal parts, the middle one for the door, a system inherited from Antiquity by Hispano-Muslim art. Successive proportional rectangles give the door width, lintel, lateral pilasters, horseshoe arch, tympanum and voussoirs, the lateral parts of the tri-partite façade, the windows, central blind arch, and eaves. The façade shows a general scheme of three successive groupings (square - 2 rectangle-square); and in the upper eaves, two 3rectangles.

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How to Cite

Fernández Puertas, A. (2013). Uno de los dos trazados proporcionales de la Bāb al-Uzarāʾ. Miscelánea De Estudios Árabes Y Hebraicos. Sección Árabe-Islam, 48, 59–104. Retrieved from https://revistaseug.ugr.es/index.php/meaharabe/article/view/14528