Elementos profanos y sufíes en la música andalusí-magrebí

Authors

  • Manuela Cortés García

Keywords:

Modal-Tree, Harmony of the Spheres, Song-book, Strings, Lute

Abstract

Several implicit features in the Andalusian and North African musical legacy give evidence of the coexistence of secular and sufi elements, according to a pattern characterized by the interdisciplinarity of a humanistic and scientific concept already present in the oriental origins as well as in the Andalusian and North African later developments. In the transmission process led by the Moorish in the Northern Mediterranean border, melody, rhythm, poetic text, voice and instruments contributed to the integration of secular and sufi contents as mirrored in the repertoires (Kunnašat) preserved in the Maghreb. This “dual” reality in the Maghribian manuscripts offer a clear evidence of the differences between the Spanish medieval legacy and the music proserved in these repertoires.

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Published

2006-01-27

How to Cite

Cortés García, M. (2006). Elementos profanos y sufíes en la música andalusí-magrebí. Miscelánea De Estudios Árabes Y Hebraicos. Sección Árabe-Islam, 55, 71–106. Retrieved from https://revistaseug.ugr.es/index.php/meaharabe/article/view/14349

Issue

Vol. 55 (2006)

Section

Articles

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