Lugares comunes. La interdisciplinariedad como paradigma en las gramáticas de creación

Abstract

When we speak of interdisciplinarity it is necessary to mention and present a thought on the limit and perhaps a limit-thought that inquire into the dynamics of creation that characterize the territory of indetermination of Contemporary Art, without forgetting the sculptural fact in particular. Today, the artistic creation is so open and fluctuating that is difficult to determine its limits. To think about the limit would be to suggesting and exposing the common places where there is a truce in the speed of the transformation, as well as opening reflexive glances around that space of generation of thought, images and forms that is frequent or that occurs when two or more disciplines are interrelated and interact. From literature, cinema, to music and art – their derives and expansions –, the objectives are: to introduce the scope of the sculptural creation as a paradigm of interdisciplinarity in the grammars of creation as well as to observe the spaces of relation (limits) or "common places" between the arts as producers of work and thought.