El espejo o El Daimon de Arseni y Andrei Tarkovski
DOI:
https://doi.org/10.30827/cre.v6i0.157Keywords:
dialogue between arts, creative impulse, poetic and artistic reality, poetic time, image and poetry, ekphrasis an synesthesiaAbstract
Based on the dialogue that appears in the Andrei Tarskovski`s film, The mirror, and which is established between the poetry (with Arseni Tarskovski`s poems, the Andrei`s father, which are recited in off, by himself) and the film art, it takes place a series of displayed reflections in this work, about the origin of the creative artistic impulse, and on the clarification of significant matches (literary and extra-literary) in both speeches, given that, at the discretion of the speaker, poetry and fi lm in this particular case, originate from the same generative imprint.IT is proposed a rapprochement study about the expressive mechanisms (linguistic, narrative, poetics, plastics....) between the arts, in principle, nothing related and that, however, confirm, by virtue of the uniqueness of poetic discourse, a common way of understanding and grasp of the artistic reality, which is in an equally unique communion with the world of what it is and it happens to human existence.