Broadway Carnivalization by Vera Zubareva. To the Question about the Phenomenon of Borderness in the Reception of the Modern Emigrant Poet

Autores/as

DOI:

https://doi.org/10.30827/cre.v18.24565

Palabras clave:

Broadway, borderness, carnivalization, emigration, Vera Zubareva

Resumen

In this article research strategies are determined by attention to the phenomenon of the modern Russian emigrant poet and explication in the work of the borderline factor. A model has been proposed for studying borderness through carnivalization indicators when studying the works of modern Russian emigrant poets. As an example of the implementation of such a model was chosen the Broadway’s poem by Vera Zubareva. The indicators are considered of the rootedness of poetic consciousness by V. Zubareva into the native culture and allusions of Russian literature shown in the analyzed poem. Carnavalization is an indicator of the borderness of Broadway topos and emigrant author's consciousness in the artistic interpretation by V. Zubareva. It is meaningful to include in the lyrical plot along with the realities of New York and their carnivalization of significant reminiscence from Russian classics. In the panorama of modern Broadway created the study revealed the acceptance by V. Zubareva of the creative heritage of Gogol, Dostoevsky, Bulgakov.

Descargas

Los datos de descargas todavía no están disponibles.

Citas

BAHTIN, M. M. (2008). Fransua Rable v istorii realizma. V: Sobr. soch. v 7 t. Vol. 4. Moskva: Jazyki slavjanskih kul'tur, pp. 11–601.

BOJM, S. (2019). Budushhee nostal'gii. Moskva: NLO.

BUGAEVA, L. (2010). Literatura i rite de passage. Sankt-Peterburg: Petropolis.

CHKONIJA, D. (2016). «K morskim glubinam tjanetsja dusha»: predislovie. V kn.: Zubareva V. Ten' goroda, ili Jem ce v kruge: stihi i pojemy raznyh let. Idyllwild: Charles Schlacks. pp. 7–11.

DEMIDOVA, O. (2015). Jemigracija kak problema filosofii kul'tury. Vestnik LGU im. A. S. Pushkina. 3(2), pp. 74–81.

FOKINA, S. (2021a). Diskursivnye konteksty obraza Odisseja-nostal'gika. Slavia orientalis. 3 (LXX), pp. 507–521.

FOKINA, S. (2021b). Semiosfera Brodveja v nostal'gicheskom diskurse Very Zubarevoj. Baltic Journal of Legal and Social Sciences. 2021. 2, pp. 164–170.

GUREVICH, A. (2003): Pir. V: Slovar' srednevekovoj kul'tury. Moskva: ROSSPJeN, pp. 359–360.

JAKUSHEVA, G. (2005). Faust v iskushenijah XX veka. Gjotevskij obraz v russkoj i zarubezhnoj literature. Moskva: Nauka.

JUNG, K. G. (1996). Dusha i mif: shest' arhetipov. Kiev: GBUJU.

KASPJE, I. (2005). Iskusstvo otsutstvovat': Nezamechennoe pokolenie russkoj literatury. Moskva: NLO.

KAJUA, R. (2003). Mif i chelovek. Chelovek i sakral'noe. Moskva: OGI.

KITIK, V. (2021). A potom — t'ma — formula obratnogo dvizhenija. Neva. 1, pp. 232–234.

KOLJAZIN, V. (2002). Ot misterii k karnavalu: Teatral'nost' nemeckoj religioznoj i ploshhadnoj sceny rannego i pozdnego srednevekov'ja. Moskva: Nauka.

LAHMANN, R. (2006). “Istericheskij diskurs” Dostoevskogo. V kn.: Russkaja literatura i medicina: Telo, predpisanija, social'naja praktika. Moskva: Novoe izdatel'stvo, pp. 135–155.

MATICH, O. (1996). Diaspora kak ostranenie (russkaja literatura v jemigracii). Russian Studies: Ezhekvartal'nik russkoj filologii i kul'tury. 2 (2), pp. 158–179.

MINEEVA, I. (2013). Fenomen jemigracii v russkoj kul'ture ХХ–ХХI vv.: genezis, semantika, interpretacii. Russkoe zarubezh'e i slavjanskij mir. Belgrad: Slavistskoe obshhestvo Serbii, pp. 40–49.

REBEL', G. (2012). Bulgakov i Dostoevskij: k voprosu o hudozhestvennoj preemstvennosti. V sb.: Dergacheskie chtenija — 2011. Vol. 1, pp. 306–321.

RUBENS, M. (2021). Nevynosimaja legkost' diasporicheskogo bytija. Modal'nosti pis'ma i chtenija jeksterritorial'nyh narrativov. V kn.: Vek diaspory: Traektorii zarubezhnoj russkoj literatury (1920–2020). Moskva: NLO.

SHHEGLOV, JU. (2013). O gorjachih tochkah literaturnogo sjuzheta: motivy pozhara i ognja u Bulgakova i drugih. V kn.: Izbrannye trudy. Moskva: RGGU, pp. 612–649.

SLOTERDAJK, P. (2010). Sfery. Pljural'naja sferologija. Vol. 3. Sankt-Peterburg: Nauka.

STAROBINSKIJ, ZH. (2016). Chernila melanholii. Moskva: NLO.

TLOSTANOVA, M. (2004). Zhit' nikogda, pisat' niotkuda. Postsovetskaja literatura i jestetika transkul'turacii. Moskva: Jeditorial URSS.

TOPOROV, V. N. (1977). Μοῦσαι “Muzy”: soobrazhenija ob imeni i predystorii obraza (k ocenke frakijskogo vklada). V sb.: Slavjanskoe i balkanskoe jazykoznanie. Moskva: Nauka, pp. 28–86.

TRESIDDER, D. (2001). Slovar' simvolov. Moskva: Fair-press.

ZHAKKAR, ZH.-F. (1995). Daniil Harms i konec russkogo avangarda. Sankt-Peterburg: Akademicheskij proekt.

ZUBAREVA, V. (2012). Problemy zhanra v svete sistemnogo podhoda: chehovskaja komedija — komedija novogo tipa. V sb.: Serebrjanyj vek: dialog kul'tur. Odessa, pp. 416–428.

Publicado

2022-12-29

Cómo citar

Fokina, S. A. (2022). Broadway Carnivalization by Vera Zubareva. To the Question about the Phenomenon of Borderness in the Reception of the Modern Emigrant Poet. Cuadernos De Rusística Española, 18, 115–127. https://doi.org/10.30827/cre.v18.24565

Número

Sección

Literatura