The iníluence of the Baroque workshops of Granada. New information on the Mora Family

Authors

  • Juan Jesús López-Guadalupe Muñoz Departamento de Historia del Arte. Universidad de Granada.
  • Lázaro Gila Medina Departamento de Historia del Arte. Universidad de Granada.

Keywords:

Religious art, Baroque art, Baroque altarpieces, Sociology of art, López, Cecilio, Mora, Bernardo de, José de, Diego Antonio de, Diego de, Convento de la Merced (Cazorla, Jaén), Mora (Family)

Abstract

Recent analyses of the artist's social situation during the Baroque period in Spain have enabled us to define more precisely the characteristics of the great individual masters and the extent of their influence, and also to establish the sphere of influence of the workshop, which was an aesthetically and professionally cohesive entity. Examples of both these aspects can be found within the Mora family. In this paper we establish the repercussions of works coming from this workshop beyond the immediate area of Granada, demonstrate the important role played by the School of Granada in Eastern Andalusia, and bring to light the activities of previously unknown members of the family, by means of a study of unpublished documents.

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Published

2004-11-01

How to Cite

López-Guadalupe Muñoz, J. J., & Gila Medina, L. (2004). The iníluence of the Baroque workshops of Granada. New information on the Mora Family. Cuadernos De Arte De La Universidad De Granada, 35, 63–79. Retrieved from https://revistaseug.ugr.es/index.php/caug/article/view/8906

Issue

Section

Estudios