Author’s Song and Plastic in Franco’s decline: Paco Ibáñez/Dalí-Raimon/ Equipo Crónica-Miró

Abstract

Spain in the last decades of Franco, the author song became a vehicle of expression against the established system. The voice of the troubadours of the twentieth century was popular tool cohesion by which it was adopted a particular social ethics and politically compromised position. Around this genre there was an important cultural movement which were not outside the arts. This article is an approach to the relationship between the creations of singerwriters and painters through the involvement of the latter as illustrators of record folders of the time.