El concepto "Ideologie Imagee" para la Historia del Arte: una falacia marxista

Abstract

In the present study the author attempts to analyze the theoretical bases ofthe concept of ldeo/ogíe imagée, and the derived terms Ideologie imagée critique and ldeologie positive. These concepts were developed by Nicos Hadjinicolaou in his book Histoire de /'árr et lurte de classes, where he takes as his starting point the postulates of Louis Althusser and Nicos Poulantzas, in an attempt to establish a scientific History of Art from the point of view of historical materialism. However, an analysis of these concepts shows us that they in fact depend on a doubler or ambiguous logic, different from that on which Marxism is based: empiricist positivism and sociologism which places the main emphasis a the conteo sociologism.