Biographical approach to the Marquise of Westminster, lady Elizabeth Mary Gros- venor (1797-1891): recognition of women in their writing and social projection
DOI:
https://doi.org/10.30827/arenal.v28i1.11340Keywords:
Writing, Society, Lady Elizabeth, England, 19th centuryAbstract
The objective of this article is to provide data about the biographical line of lady Elizabeth Mary Grosvenor (1797-1891), a character little known in the national scientific tradition and not sufficiently addressed in the context of the Anglo-Saxon scientific tradition. Objective that will be carried out through the analysis of her training and literacy practices, as well as through the news related to this character offered by British periodicals of that time, mainly The Spectator. We will thus penetrate into a family saga aware of its historical role, who understood writing as a phenomenon of self-recognition and recognition of the environment and the past. Just as we will attend to make her more visible through her social projection, her commitment to the education of the people and her concern for the most disadvantaged, as befits a lady of her lineage and social position.
Downloads
References
Fuentes
BROWNING, Oscar: The Despatches of Earl Gower. Cambridge, Cambridge University Press, 1885. BUTLER, Augustus: The Camp at Chobham. London, Stannard and Dixon, 1853.
GROSVENOR, Lady Elizabeth Mary: Diary of a tour in Sweden, Norway and Russia, in 1827 with letters. London, Hurst and Blackett Publishers, 1879.
GROSVENOR, Lady Elizabeth Mary: Narrative of a Yacht Voyage in the Mediterranean during the years 1840-1841. London, John Murray, 1842. Biblioteca de la Diputación Provincial de Málaga, FAN XIX 199 a y b.
HUGO, Victor: The hunchback of Notre-Dame. London, Richard Bentley, 1849.
JOURNAL OF THE SOCIETY OF ARTS, 28 de junio de 1872, p. 654. JOURNAL OF THE SOCIETY OF ARTS, 21 de noviembre de 1873, p. 92. THE BRITISH MEDICAL JOURNAL, 9 de septiembre de 1882, p. 504.
THE NEW STATESMAN, Londres, 1 de julio de 1916, p. 302.
THE SPECTATOR, Londres, 7 de julio de 1849, p. 627. THE SPECTATOR, Londres, 15 de enero de 1853, p. 46. THE SPECTATOR, Londres, 21 de enero de 1854, p. 50. THE SPECTATOR, Londres, 8 de abril de 1854, p. 381. THE SPECTATOR, Londres, 2 de julio de 1859, p. 680. THE SPECTATOR, Londres, 14 de enero de 1860, p. 28.
THE SPECTATOR, Londres, 18 de octubre de 1879, p. 1329.
THE SPECTATOR, Londres, 26 de enero de 1861, p. 74.
THE SPECTATOR, Londres, 28 de noviembre de 1863, p. 2795. THE SPECTATOR, Londres, 26 de diciembre de 1885, p. 1740. THE SPECTATOR, Londres, 21 de diciembre de 1889, p. 901.
WILLIAMS, D. E.: Life and correspondence of Sir Thomas Lawrence. London, Richard Colburn and Richard Bentley, 1831.
Bibliografía
CHISHOLM, Hugh (ed.): “Sutherland, Earls and Dukes of ”. En Encyclopædia Britannica (11th ed.), vol. XXVI. Cambridge, Cambridge University Press, 1911.
COURTAULD, Simon: To convey intelligence: The Spectator 1928-1998. London, Profile Books Ltd, 1999.
DAVIS, Gwenn: Personal writings by women to 1900: A Bibliography of American and British Writers. Norman, University of Oklahoma, 1989.
EKIRCH ROGER, Arthur: At Day’s Close: Night in Times Past. New York, Norton Company, 2005. GLENNIE, Paul y THRIFT, Nigel: Shaping the Day: A history of Timekeeping in England and Wales, 1300-1800. Oxford, Oxford University Press, 2009.
GILMOUR, Robin: The Victorian period. The intellectual and cultural Context of English Literature (1830-1890). London, Routledge, 2013.
GOLDEN, Catherine: Posting it: the Victorian Revolution in Letter Writing. Gainesville, University Press of Florida, 2009.
HILTON, Boyd: A Mad, Bad, and Dangerous People?: England 1783-1846. Oxford, Clarendon Press, 2006.
HUXLEY, Gervas: Lady Elizabeth and the Grosvenors. London-New York, Oxford University Press, 1965.
LECONFIELD, Maud: Three Howard Sisters, Selections from the writings of Lady Caroline Lascelles, Lady Dover and Countess Gower, 1825-1833. London, John Murray, 1955.
LIVINGSTONE, Natalie: The Mistresses of Cliveden: Three Centuries of Scandal, Power and Intri- gue. London, Arrow Books, 2015.
MARCHANT RIVERA, Alicia: “Escritura femenina y viajera: visiones de Lady E. Mary Grosvenor, Louise M. A. Tenison, M. C. Jackson y Olive Patch sobre el cementerio inglés de Málaga”. En GÓMEZ YEBRA, Antonio (coord.): Estudios sobre el patrimonio literario andaluz. Málaga, Aedile, 2008, pp. 141-158.
MARX, Karl: El capital, lib. I, t. III. Madrid, Akal, 2007.
MOSLEY, Charles (ed.): Burke’s Peerage, Baronetage & Knightage, vol. III. Wilmington, Burke’s Peerage Genealogical Books, 2003.
RICHARDS, Eric: “Elizabeth Leveson-Gower (1765-1839)”. En Oxford Dictionary of National Biography (online ed.). Oxford, Oxford University Press, 2004. doi:10.1093/ref:odnb/42000.
SHEA, Victor y WHITLA, William: Victorian Literature: an anthology. Maiden-Oxford, John Wiley and Sons, 2015.
SHELDON, Julia (ed.): The letters of Elizabeth Rigby. Liverpool, Liverpool University Press, 2009. WALCHESTER, Kathryn: Gamle Norge and Nineteenth-Century British Women Travellers in Norway. London, Anthem Press, 2014.
Downloads
Published
How to Cite
Issue
Section
License
Los/as autores/as que publican en esta revista están de acuerdo con los siguientes términos:
Los autores/as conservarán sus derechos de autor y garantizarán a la revista el derecho de primera publicación de su obra, el cuál estará simultáneamente sujeto a la Licencia de reconocimiento de Creative Commons 4.0 BY-NC-ND que permite a terceros compartir la obra siempre que se indique su autor y su primera publicación esta revista.
Los autores/as podrán adoptar otros acuerdos de licencia no exclusiva de distribución de la versión de la obra publicada (p. ej.: depositarla en un archivo telemático institucional o publicarla en un volumen monográfico) siempre que se indique la publicación inicial en esta revista.
Se permite y recomienda a los autores/as difundir su obra a través de Internet (p. ej.: en archivos telemáticos institucionales o en su página web) antes y durante el proceso de envío, lo cual puede producir intercambios interesantes y aumentar las citas de la obra publicada. (Véase El efecto del acceso abierto).