From the Panopticon to the Pankinetic. Big Happy Brother and Technofascism in the Algoricene. From Biopower to Ontopower, and why AI has no Future
DOI:
https://doi.org/10.30827/pcc.27.2024.34378Keywords:
algoriceno, pancoreografico, ontopoder, hipercapital, inteligencia corporalAbstract
The current mutations of power require a new conceptual framework, summarized here in several shifts. On the one hand, we move from the panopticon model theorized by Foucault, associated with visual surveillance, to a panchoreographic model that organizes the movements of bodies in every mode and scale. On the other, we move from a biopower that optimizes the performance of bodies in
the industrial extractivist system to an ontopower that capitalizes on the future and an affect-capital and hypercapital that capitalizes every behavior, where we are the product—a new form of allencompassing extractivism. All of this is associated with a docilization of populations where “Big Brother” allies with “Brave New World,” creating a dystopia that dwarfs all known science fiction, where we are at the mercy of unknowable algorithms that shape our very perception and the domain of the thinkable, at the service of toxic disinformation. However, all of this occurs as the final phase of an era of exploitation that has no future, since these same extractive technologies are causing breakdown and ecosocial collapse. The age of algorithms, or the Algoricene, is also the age of extinctions, as it goes against the symbiotic and diversifying logic of life. We therefore urgently need to reinvent ourselves beyond these techniques of extinction with a return to the moving body, for the dismantling of exploitative societies, toward a rewilding of the Earth. The future is not AI but BI (Body Intelligence).
Downloads
References
AGAMBEN, Giorgio. 2000. Medios sin Fin. Notas Sobre la Política. Traducción de Antonio Gimeno Cuspinera. Valencia: Pretextos
AGAMBEN, Giorgio. 2007.Qu’est-ce qu’un dispositif? París: Éditions Payot & Rivages
AGUDO, Ujue y KARLOS G. Liberal. 2024. El Algoritmo Paternalista.
Cuando mande la inteligencia artificial. Katakrak
AHMED, Sara. 2006. Queer Phenomenology: Orientations, Objects, Others. Duke Univ. Press DOI: https://doi.org/10.1515/9780822388074
AUSTIN, John. L. 1998. Cómo hacer cosas con palabras. Barcelona: Paidós
BENCH, Harmony. 2009. “Computational Choreographies: Performance in Dance Online.” The International Journal of Performance Arts and Digital Media 5, nos. 2–3: 155–69. DOI: 0.1386/padm.5.2-3.155/1. DOI: https://doi.org/10.1386/padm.5.2-3.155/1
BINOTTO, Marco. 2000. Pestilenze. Roma: Castelvecchi
BRATTON, Benjamin H. 2015. The Stack. On Software and Sovereignity. Cambridge, MA: MIT Press
BROSSAT, Ian. 2019. Airbnb, La Ciudad Uberizada. Navarra: Katakrak Ed.
BUTLER, Judith. 1990. Gender Trouble. Feminism and the subversion of Identity. New York: Routledge
———. 1997. Excitable Speech. A politics of the performative. New York: Routledge
CHAYKA, Kyle 2024. Mundofiltro. Cómo los algoritmos han aplanado la cultura. Gatopardo Ensayo.
DEBORD, Guy. 1999. La Sociedad del Espectáculo. Traducción de José Luis Pardo Torio. Valencia: Pre-textos
Del Val, Jaym*/Jaime. 2006. “Cuerpos Frontera. Imperios y resistencias en el post-postmoder-nismo”, Artnodes #6 – Organicitats
[e-journal] [online]: https://www.raco.cat/index.php/Artnodes/arti-
cle/view/ 53108/61082
———. 2009a. “Cuerpo común y guerra de los afectos. Coreografías globales y cuerpos en serie del Afectocapital.” CIC Cuadernos de Información y comunicación, Volumen 14,121-139. Corrientes de
Investigacion en Comunicación Interpersonal. Eva Aladro Vico, Ed. Madrid: Universidad Complutense. Online: https://revistas.ucm.es/index.php/CIYC/article/view/CIYC0909110121A/7222
———. 2009b. “Coreografías globales y cuerpos amorfos. Pancoreográfico, cuerpos en serie y Capitalismo de los Afectos.” El Rapto
de Europa, no 14 (June), 63-72. Entre Cuerpos. Nuria Valverde y José
Duarte, Eds. Madrid: Calamar Ediciones. – reverso.org/texts/Del-Val-2009-COREOGRAFIAS-GLOBALES-Y-CUERPOS-AMORFOS—Rapto-de-Europa.pdf
———. 2017. “Algoriceno. Ecologías mayores y menores en la era del Big Data”. En Debates sobre la Investigación en Artes, 48-61. Guayaquil: UArtes Ediciones. Online: http://www.uartes.edu.ec/
institucional/index.php/ download/ilia/?wpdmdl =1666&master-key=59e7ea85dae70 y www.reverso.org/texts/DelVal-2017-Algoriceno-Ecologias-mayores-y-menores.pdf
———. 2018a. “Ontohacking: Ontoecological politics in the Algoricene”. Leonardo, 51(2), 187–188. Disponible online: www.reverso.org/texts/DelVal-2018-Ontohacking--Leonardo-BunB2016.pdf DOI: https://doi.org/10.1162/LEON_a_01521
———. 2018b. “Microsingularities: Body Intelligence, Neuroplastic Ecologies and Antismart Architectures in the Algoricene”. En Balance-Unbalance Conference 2018 Proceedings, pp. 65-69. Anne Nitgen Ed. The Patching Zone, Rotterdam. Online: http://www.reverso.org/texts/DelVal-2018-Microsingularities--BunB2018.pdf
———. 2021a. “The Body is infinite / Body Intelligence. Ontohacking sex-species and the BI r/evolution in the Algoricene.” Journal of
Posthumanism. London: Transational Press. Online: https://journals.tplondon.com/jp/article/view/1447
———. 2021b. “Ontoviolencia en el algoriceno. Hacia una ecología de lo abierto”. En Comparecen los cuerpos. Materias y fronteras, Maya Aguiluz Ed., Mexico: Universidad Nacional Autónoma de México (UNAM). Acessible online: http://www.reverso.org/texts/Del-Val-2021-ONTOVIOLENCIA-EN-EL-ALGORICENO—-FINAL-sinisbn.pdf
———. 2024a. Ontohackers: Radical movement philosophy in theage of extinctions and algorithms, Part I: Radical Movement Philosophy and the Body Intelligence R/evolution. Milky Way, Earth: punc-
tum books. DOI: 10.53288/0402.1.00. Accesible Online: https://punctumbooks.com/titles/ ontohackers-radical-movement-philoso-
phy-in-the-age-of-algorithms/ – www.ontohackers.com
———. 2024b. “Descolonización terrestre y nuestro futuro como recolectores.” En ¡Cuerpo, Máquina, Acción! Año 8, no 10, pags. 20-38. La Plata, Argentina: Universida de la Plata. Online: http://sedici.unlp.edu.ar/handle/10915/175275
———. 2025a. Metacuerpos: un Contrapocalipsis. Filosofía del Movimiento y Liberación Terrestre: Deshacer el Supremacismo Humano, en la Era de Algoritmos y Extinciones. Madrid: Reverso-Me-
tabody Ed. ISBN: 978-84-09-70231-2 https://metabody.eu/es/metacuerpos-libro/
———. 2025b. Ontohackers: Radical movement philosophy in the age of extinctions and algorithms, Part II: R/evolution Technologies.
Milky Way, Earth: punctum books. https://punctumbooks.com/titles/ontohackers-radical-movement-philosophy-in-the-age-of-extinc-
tions-and-algorithms-part-ii-r-evolution-technologies/ – www.onto-
hackers.com
DERRIDA, Jacques. 1989. Márgenes de la filosofía. Madrid. Cátedra
DIPROSE, Rosalyn. 1994. “Performing Body identity,” Writings on Dance 11–12: 15. https://www.writingsondance.com/11-12.htm
FLUSSER, Vilém. 2001a. Hacia una filosofia de la fotografía. Madrid: Editorial Síntesis
FOUCAULT, Michel. 1976. Vigilar y Castigar. Nacimiento de la prisión. Buenos Aires: Siglo XXI
———. 1977. Historia de la sexualidad 1. La voluntad de saber. México: Siglo XXI
———. 1994. Dits et écrits II. 1976-1988. Paris: Ed. Gallimard
GUTERRES, Antonio. 2022. “Secretary-General’s remarks to High-Level opening of COP27.” UN, Online: https://www.un.org/sg/en/content/sg/speeches/2022-11-07/secretary-generals-remarks-high-level-opening-of-cop27, https://news.un.org/es/story/2022/11/1516697
HAO, Karen. 2021. “How Facebook got addicted to spreading misinformation” MIT Technology Review. MIT. Online: https://www.
technologyreview.com/2021/03/11/1020600/ facebook-responsible-ai-misinformation/. Traducido al castellano en: https://radiolapri-
merisima.com/ como-facebook-se-volvio-adicto-a-la-desinformacion/
HARAWAY, Donna J. 1995. Ciencia, cyborgs y mujeres. La reinvención de la naturaleza. Traducción de Manuel Talens. Madrid: Cátedra
HAYLES, N. Katherine. 1999. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics. Chicago: University DOI: https://doi.org/10.7208/chicago/9780226321394.001.0001
of Chicago Press
———. 2012. How we think. Digital Media and Contemporary Technogenesis. Chicago: University of Chicago Press
———. 2017. Unthought. The Power of the Cognitive Nonconsicous. Chicago: University of Chicago Press
LORDE, Audre. 2007. [1984] “The Master’s Tools Will Never Dismantle the Master’s House.” Sister Outsider: Essays and Speeches. 110-114. Berkeley, CA: Crossing Press
———. 2002. La Hermana, la Extranjera: Articulos y Conferencias. Horas y Horas
MASSUMI, Brian. 2015. Ontopower. War, Powers and the State of Perception. Durham: Duke University Press DOI: https://doi.org/10.2307/j.ctv120qqxv
MUNSTER, Anna. 2013. An Aesthesia of Networks. Cambridge, MA: MIT Press DOI: https://doi.org/10.7551/mitpress/8982.001.0001
ROUVROY, Antoinette. 2013. “The end(s) of critique: data-behaviourism vs. due-process” En Privacy, Due Process and the Computational Turn. Philosophers of Law Meet Philosophers of Technology. Mireille Hildebrandt y Ekatarin De Vries Eds., pp. 147-148. London: Routledge
SERRÀ, J., Á. Corral, M. Boguñá, et al. 2012. “Measuring the Evolution of Contemporary Western Popular Music.” Nature, Scientific
Reports 2, 521. https://doi.org/10.1038/srep00521 DOI: https://doi.org/10.1038/srep00521
STIEGLER, Bernard. 2021. “Biopoder, psicopoder y gramatización” Ciencias Sociales y Educación, 10(20), 263-284. Traducción de L. Paláu. Online: https://doi.org/10.22395/csye.v10n20a12 DOI: https://doi.org/10.22395/csye.v10n20a12
STONE, Allucquére Rosanne (Sandy). 1996. The War of Technology and Desire at the Close of the Mechanical Age. Cambridge: MIT Press
ZUBOFF, Shoshana. 2020. La era del capitalismo de la vigilancia: La lucha por un futuro humano frente a las nuevas fronteras del poder. Traducción de Albino Santos Mosquera. Barcelona: Paidós
Downloads
Published
How to Cite
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Los nombres y direcciones de correo-e introducidos en esta revista se usarán exclusivamente para los fines declarados por esta revista y no estarán disponibles para ningún otro propósito u otra persona.
Los autores y autoras poseen los derechos sobre sus trabajos. Se ruegan que se haga constar la publicación en los mismos si aparecieran con posterioridad en otro medio.