Contenido del artículo principal
Resumen
Una de las principales dificultades a las que se enfrentan las instituciones educativas en la actualidad está centrada en fomentar la convivencia pacífica en sus aulas. Este trabajo aborda dicha problemática desde el desarrollo de un proyecto de creación de una Banda Sonora sobre el acoso utilizando la composición cooperativa y la improvisación colectiva, con el propósito de examinar qué aspectos intervienen en este proceso en relación con la educación para la paz y la violencia escolar. Para ello, se contó con la participación de un grupo de estudiantes de 1º de ESO (n= 14, 9 chicas y 5 chicos) y otro de 3º (n=26, 17 chicas y 9 chicos) de un centro de la Comunidad de Madrid. Las conclusiones ponen de manifiesto cómo las experiencias musicales del alumnado en un espacio de aprendizaje creativo potencian la motivación tanto individual como colectiva, las emociones positivas, el ambiente de clase, el bienestar y la identidad del grupo, lo que ha favorecido la convivencia entre los participantes en este estudio.
Palabras clave
Detalles del artículo
Referencias
- Allsup, R. E. (2003). Mutual learning and democratic action in instrumental music education. Journal of Research in Music Education, 51(1), 24-37.
- Bailey, D. (2010). La improvisación: Su naturaleza y su práctica en la música. Madrid: Trea.
- Ball, S. J. (2003). The teachers soul and the terrors of performativity. Journal of Education Policy, 18(2), 215-228.
- Barrett, M. S. (2006). Inventing songs, inventing worlds: the ‘genesis’ of creative thought and activity in young children’s lives. International Journal of Early Years Education, 14(3), 201-220.
- Barrett, M. S. (2000). ‘Windows, Mirrors and Reflections: A Case Study of Adult Constructions of Children’s Musical Thinking’. Bulletin of the Council for Research in Music Education, 142, 43-75.
- Barrett, M. S. (1996). ‘Children’s Aesthetic Decision-making: An Analysis of Children’s Musical Discourse as Composers’. International Journal of MusicEducation, 28, 37-62.
- Berkley, R. (2001). Why is teaching composing so challenging? A survey of classroom observation and teachers’ opinions. British Journal of Music Education, 18(2), 119-138.
- Berkley, R. (2004). Teaching composing as creative problem solving: Conceptualising composing pedagogy. British Journal of Music Education, 21(3), 239–263.
- Bickmore, K. (2011). Education for ‘peace’ in urban Canadian schools: Gender, culture, conflict, and opportunities to learn. In P. P.Trifonas& B. Wright (Eds.), Critical Issues in Peace and Education (pp. 88-103).New York, EEUU: Routledge.
- Burnard, P. (2012a). Musical Creativities in Practice. Oxford: Oxford University Press.
- Burnard, P. (2012b). Rethinking musical creativity. In O. Odena (Ed.), Musical Creativity: Insights From Music Education Research (pp.5-28). Aldershot, Hants: Ashgate.
- Burnard, P. (2000). Examining Experiential Differences between Improvisation and Composition in Children’s Music-Making. British Journal of Music Education, 17(3), 227-245.
- Burnard, P., & Dragovic, T. (2014) Collaborative creativity in instrumental group learning as a site for enhancing pupil wellbeing. Cambridge Journal of Education, 4(3), 371-392. doi:10.1080/0305764X.2014.934204.
- Burnard, P., & Younker, B. A. (2004). Problem-solving and creativity: Insights from students’ individual composing pathways. International Journal of Music Education, 22(1), 59-76.
- Burnard, P., & White, J. (2008). Creativity and performativity: counterpoints in British and Australian education. British Educational Research Journal, 34(2), 667-682.
- Cáceres, P. (2008). Análisis cualitativo de contenido: Una alternativa metodológica alcanzable. Psicoperspectivas. Individuo y Sociedad, 2(1), 53-82. Recuperado de http://psicoperspectivas.cl/index.php/psicoperspectivas/article/download/3/3
- Cremades, R., Lorenzo, O., & Herrera, L. (2010). Musical Tastes of Secondary School Students’ with Different Cultural Backgrounds: a Study in the Spanish North African City of Melilla. Musicae Scientiae, 14(1), 121-141.doi:10.1177/102986491001400105
- Cochran-Smith, M., & Litle, S. L. (2009).Inquiry as Stance: Practitioner Research for the Next Generation. New York: Teachers College Press.
- Consejería de Educación y Ciencia (2006). Orientaciones sobre el acoso escolar. Asturias: Consejería de Educación y Ciencia. Dirección General de Ordenación Académica e Innovación. Recuperado de https://www.educastur.es/documents/10531/40250/2015_guia_acoso.pdf/1cf00459-53ce-4f30-b4e9-b06edebbd650
- Craft, A. (2005). Creativity in schools: tensions and dilemmas. Abingdon: Routledge.
- Cremin, H. (2016). Peace education research in the twenty-first century: Three concepts facing crisis or opportunity? Journal of Peace Education, 13(1), 1-17. doi:10.1080/17400201.2015.1069736
- Cremin, H. (2014). Peace Educator. Other Education: The Journal of Educational Alternatives, 3(2), 69-73.
- Cremin, H., & Bevington, T. (2017). Positive Peace in Schools: Tackling conflict and creating a culture of peace in the classroom. London: Routledge.
- Custodero, L. A. (2007). Origins and expertise in the musical improvisations of adults. British Journal of Music Education, 24(1), 77-98.
- Defensor del Pueblo (2007). Informes, estudios y documentos. Violencia escolar: el maltrato entre iguales en la Educación Secundaria Obligatoria 1999-2006. Madrid: Defensor del pueblo. Recuperado de https://www.defensordelpueblo.es/wp-content/uploads/2015/05/2007-01-Violencia-escolar-el-maltrato-entre-iguales-en-la-Educaci%C3%B3n-Secundaria-Obligatoria-1999-2006.pdf
- De la Herrán, A. (2009). Contribución al Concepto de Creatividad: Un Enfoque Paquidérmico (1ª parte). Revista Educación y Futuro, 21, 43-70.
- Dillon, (2003). Collaborating and creating on music technologies. International Journal of Educational Research, 39, 893-897.
- Espinosa, S. (2005). La creación sonora en tiempo real. Una propuesta colectiva para la escuela secundaria. Aula de innovación educativa, 145, 28-33.
- Faulkner, R. (2003). Group composing: social perception from a social psychological study. Music Education Research, 5(2), 101-122.
- Fautley, M. (2005). A New Model of the Group Composing Process of Lower Secondary School Students. Music Education Research, 7(1), 39-57.
- Fautley, M. (2004). Teacher Intervention Strategies in the Composing Processes of Lower Secondary School Students. International Journal of Music Education, 22(3), 201-218.
- Feldman, D. H., Csikszentmihalyi, M., & Gardner, H. (1994). Changing the world: A framework for the study of creativity. Westport, CT: Praeger.
- Fernández, M. (2015). La educación en la encrucijada. Santillana: Madrid.
- Folkestad, G. (1998). Compositional Strategies in Computer-Based Music Making. British Journal of Music Education, 15(1), 83-97.
- Frith, S. (2012). Creativity as a social Fact. In D. J. Hargreves, R. Macdonald, & D. Miell (Eds.), Musical imaginations: multidisciplinary perspectives on creativity, performance and perception (pp. 62-72). New York: Oxford UniversityPress.
- Fundación ANAR (2016). I Estudio sobre Ciberbullying según los afectados. Madrid: Fundación ANAR y Mutua Madrileña.
- Galtung, J. (1998). Tras la violencia, 3R: reconstrucción, reconciliación resolución. Afrontando los efectos visibles e invisibles de la guerra y la violencia. Bilbao: Bakeaz/GernikaGogoratuz.
- Giglio, M. (2012). Cuando la colaboración creativa cambia la forma de enseñar. Santander: Ediciones Universidad Cantabria.
- Gur-Zeév, I. (2011). Improvisation, violence and peace education. In P. P. Trifonas & B. Wright (Eds.), Critical Issues in Peace and Education (pp. 104-120). New York: Routledge.
- Hargreaves, A., & Fullam, M. (2014).Capital profesional. Madrid: Morata.
- Harris, I. (2009). A select bibliography for peace education. Peace and Change, 34(4), 571-576.
- Herrera, L., Cremades, R., & Lorenzo, O. (2010). Preferencias musicales de los estudiantes de Educación Secundaria Obligatoria: influencia de la educación formal e informal. Cultura y Educación, 22(1), 37-51. doi:10.1174/113564010790935222
- Hickey, M. (2009). Can improvisation be “taught”?: A call for free improvisation in our schools. International Journal of Music Education, 27, 285-299.
- Hickey, M. (2015). Learning From the Experts. A Study of Free-Improvisation Pedagogues in University Settings. Journal of Research in Music Education, 62, 425-445.
- Kasten, L. (2017). When Less Is More: Constructing a Parsimonious Concept of Interstate Peace for Quantitative Analysis. International Studies Review, 19(1), 28-52. doi: https://doi.org/10.1093/isr/vix002
- Koutsoupidou, T., & Hargreaves, D. J. (2009). An experimental study of the effects ofimprovisation on the development of children’s creative thinking in music. Psychology of Music, 37(3), 251-278. doi: https://doi.org/10.1177/0305735608097246
- Lapidaki, E., de Groot, R., & Stagkos, P. (2012). Comunal creativity as socio-musical practice. In G. Welch y G. McPherson (Eds.), The Oxford Handbook of music education (pp. 371-378). New York, EEUU: Oxford University Press.
- Leung, B. W. (2004). A Framework For Undertaking Creative Music-Making Activities In Hong Kong Secondary Schools. Research Studies in Music Education, 23(1), 59-75. doi: https://doi.org/10.1177/1321103X040230010901
- MacDonald, R. (2014). We are all musical: investigating improvisation as collaborative creativity. In M. S. Barrett(Ed.), Collaborative creative thought and practice in music (pp. 3-14). Farnham, Surrey, United Kingdom: Ashgate.
- Major, A. (2007). Talking about composing in secondary school music lessons. British Journal of Music Education, 24(2), 165-178.
- McGillen, C. W. (2004). In conversation with Sarah and Matt: perspectives on creating and performing original music. British Journal of Music Education, 21(3), 279-293.
- Mcgillen, C., & McMillan, R. (2005). Engaging With Adolescent Musicians: Lessons In Song Writing, Cooperation And The Power of Original Music. Research Studies in Music Education, 25, 1-20.
- Miell, D., & Littleton, K. (Eds.) (2004). Collaborative Creativity: Contemporary Perspectives. London: Free Association Books.
- Moreno, M. C., Muñoz, V., Pérez, P. J., & Sánchez, I. (2004). Incidencia del maltrato entre iguales durante la adolescencia en España. Portularia. Revista de Trabajo Social, 4, 307-316. Recuperado de https://idus.us.es/xmlui/bitstream/handle/11441/23189/file_1.pdf?sequence=1
- Odam, G. (2000). Teaching composing in secondary schools: the creative dream. British Journal of MusicEducation, 17(2), 109-127.
- Oñate, A., & Piñuel, I. (2006). Informe Cisneros X: Acoso y violencia escolar en España. Madrid: Instituto de Innovación Educativa y Desarrollo Directivo.
- Redondo, S., Navarro, E., Gutiérrez, S., & Iglesias, I. I. (2017). Mejora del aprendizaje en las organizaciones a través de comunidades virtuales. Revista Complutense de Educación, 28(1), 101. doi: http://dx.doi.org/10.5209/rev_RCED.2017.v28.n1.48973
- Rusinek, G. (2012). Action-research on collaborative composition: An analysis of research questions and designs. In O. Odena (Ed.), Musical creativity: Insights from music education research (pp. 185-200). Ashgate, Farnham, UK.
- Saether, E., Mbye, A., & Shayesteh, R. (2012). Intercultural Tensions and Creativity in Music. In G. Welch & G. McPherson (Eds.), The Oxford Handbook of music education (pp.354-370). New York, EEUU: Oxford University Press.
- Sanz, A. L., & Molano, E. (2014). Bullying: What´s going on? A bibliographic review of last twelve months. Procedia – Social and Behavioral Sciences, 132, 269-276. doi: 10.1016/j.sbspro.2014.04.309
- Saunders, L., & Somekh, B. (2009). Action Research and Educational Change: Teachers as innovators. In S. NoffkeyB. Somekh (Eds.), The Handbook of Educational Action Research (pp. 190-201). Thousand Oaks and London: Sage.
- Sawyer, R. K. (2008). Learning music from collaboration. International Journal of Education, 47, 50-59. doi: https://doi.org/10.1016/j.ijer.2007.11.004
- Sawyer, R. K. (2003). Group creativity: Music, theater, collaboration. Mahwah, NJ: Erlbaum.
- Seddon, F. A. (2005). Modes of communication during Jazz improvisation. British Journal of Music Education, 22(1), 47-61.
- Seddon, F. A. (2012). Empathetic creativity in music making”. In O. Odena (Ed.), Musical creativity: Insights from music education research (pp. 133-147). Farnham, UK: Ashgate Publishing.
- Serrano, A., & Iborra, M. (2005). Informe, violencia entre compañeros en la escuela.Valencia: Goaprint.
- Soares, J. (2012). The nature of the engagement of Brazilian adolescents in composing activities. In O. Odena (Ed.), Musical Creativity: Insights from Music Education Research (pp. 113-132). Ashgate, Farnham, UK: Ashgate.
- Thompson, W (2009). Soundpainting, el arte de la composición en directo. Eufonía, 47, 77-83.
- Thompson, W. (2006). Soundpainting: The art of live composition. Workbook 1. New York: Walter Thompson Orchestra.
Referencias
Allsup, R. E. (2003). Mutual learning and democratic action in instrumental music education. Journal of Research in Music Education, 51(1), 24-37.
Bailey, D. (2010). La improvisación: Su naturaleza y su práctica en la música. Madrid: Trea.
Ball, S. J. (2003). The teachers soul and the terrors of performativity. Journal of Education Policy, 18(2), 215-228.
Barrett, M. S. (2006). Inventing songs, inventing worlds: the ‘genesis’ of creative thought and activity in young children’s lives. International Journal of Early Years Education, 14(3), 201-220.
Barrett, M. S. (2000). ‘Windows, Mirrors and Reflections: A Case Study of Adult Constructions of Children’s Musical Thinking’. Bulletin of the Council for Research in Music Education, 142, 43-75.
Barrett, M. S. (1996). ‘Children’s Aesthetic Decision-making: An Analysis of Children’s Musical Discourse as Composers’. International Journal of MusicEducation, 28, 37-62.
Berkley, R. (2001). Why is teaching composing so challenging? A survey of classroom observation and teachers’ opinions. British Journal of Music Education, 18(2), 119-138.
Berkley, R. (2004). Teaching composing as creative problem solving: Conceptualising composing pedagogy. British Journal of Music Education, 21(3), 239–263.
Bickmore, K. (2011). Education for ‘peace’ in urban Canadian schools: Gender, culture, conflict, and opportunities to learn. In P. P.Trifonas& B. Wright (Eds.), Critical Issues in Peace and Education (pp. 88-103).New York, EEUU: Routledge.
Burnard, P. (2012a). Musical Creativities in Practice. Oxford: Oxford University Press.
Burnard, P. (2012b). Rethinking musical creativity. In O. Odena (Ed.), Musical Creativity: Insights From Music Education Research (pp.5-28). Aldershot, Hants: Ashgate.
Burnard, P. (2000). Examining Experiential Differences between Improvisation and Composition in Children’s Music-Making. British Journal of Music Education, 17(3), 227-245.
Burnard, P., & Dragovic, T. (2014) Collaborative creativity in instrumental group learning as a site for enhancing pupil wellbeing. Cambridge Journal of Education, 4(3), 371-392. doi:10.1080/0305764X.2014.934204.
Burnard, P., & Younker, B. A. (2004). Problem-solving and creativity: Insights from students’ individual composing pathways. International Journal of Music Education, 22(1), 59-76.
Burnard, P., & White, J. (2008). Creativity and performativity: counterpoints in British and Australian education. British Educational Research Journal, 34(2), 667-682.
Cáceres, P. (2008). Análisis cualitativo de contenido: Una alternativa metodológica alcanzable. Psicoperspectivas. Individuo y Sociedad, 2(1), 53-82. Recuperado de http://psicoperspectivas.cl/index.php/psicoperspectivas/article/download/3/3
Cremades, R., Lorenzo, O., & Herrera, L. (2010). Musical Tastes of Secondary School Students’ with Different Cultural Backgrounds: a Study in the Spanish North African City of Melilla. Musicae Scientiae, 14(1), 121-141.doi:10.1177/102986491001400105
Cochran-Smith, M., & Litle, S. L. (2009).Inquiry as Stance: Practitioner Research for the Next Generation. New York: Teachers College Press.
Consejería de Educación y Ciencia (2006). Orientaciones sobre el acoso escolar. Asturias: Consejería de Educación y Ciencia. Dirección General de Ordenación Académica e Innovación. Recuperado de https://www.educastur.es/documents/10531/40250/2015_guia_acoso.pdf/1cf00459-53ce-4f30-b4e9-b06edebbd650
Craft, A. (2005). Creativity in schools: tensions and dilemmas. Abingdon: Routledge.
Cremin, H. (2016). Peace education research in the twenty-first century: Three concepts facing crisis or opportunity? Journal of Peace Education, 13(1), 1-17. doi:10.1080/17400201.2015.1069736
Cremin, H. (2014). Peace Educator. Other Education: The Journal of Educational Alternatives, 3(2), 69-73.
Cremin, H., & Bevington, T. (2017). Positive Peace in Schools: Tackling conflict and creating a culture of peace in the classroom. London: Routledge.
Custodero, L. A. (2007). Origins and expertise in the musical improvisations of adults. British Journal of Music Education, 24(1), 77-98.
Defensor del Pueblo (2007). Informes, estudios y documentos. Violencia escolar: el maltrato entre iguales en la Educación Secundaria Obligatoria 1999-2006. Madrid: Defensor del pueblo. Recuperado de https://www.defensordelpueblo.es/wp-content/uploads/2015/05/2007-01-Violencia-escolar-el-maltrato-entre-iguales-en-la-Educaci%C3%B3n-Secundaria-Obligatoria-1999-2006.pdf
De la Herrán, A. (2009). Contribución al Concepto de Creatividad: Un Enfoque Paquidérmico (1ª parte). Revista Educación y Futuro, 21, 43-70.
Dillon, (2003). Collaborating and creating on music technologies. International Journal of Educational Research, 39, 893-897.
Espinosa, S. (2005). La creación sonora en tiempo real. Una propuesta colectiva para la escuela secundaria. Aula de innovación educativa, 145, 28-33.
Faulkner, R. (2003). Group composing: social perception from a social psychological study. Music Education Research, 5(2), 101-122.
Fautley, M. (2005). A New Model of the Group Composing Process of Lower Secondary School Students. Music Education Research, 7(1), 39-57.
Fautley, M. (2004). Teacher Intervention Strategies in the Composing Processes of Lower Secondary School Students. International Journal of Music Education, 22(3), 201-218.
Feldman, D. H., Csikszentmihalyi, M., & Gardner, H. (1994). Changing the world: A framework for the study of creativity. Westport, CT: Praeger.
Fernández, M. (2015). La educación en la encrucijada. Santillana: Madrid.
Folkestad, G. (1998). Compositional Strategies in Computer-Based Music Making. British Journal of Music Education, 15(1), 83-97.
Frith, S. (2012). Creativity as a social Fact. In D. J. Hargreves, R. Macdonald, & D. Miell (Eds.), Musical imaginations: multidisciplinary perspectives on creativity, performance and perception (pp. 62-72). New York: Oxford UniversityPress.
Fundación ANAR (2016). I Estudio sobre Ciberbullying según los afectados. Madrid: Fundación ANAR y Mutua Madrileña.
Galtung, J. (1998). Tras la violencia, 3R: reconstrucción, reconciliación resolución. Afrontando los efectos visibles e invisibles de la guerra y la violencia. Bilbao: Bakeaz/GernikaGogoratuz.
Giglio, M. (2012). Cuando la colaboración creativa cambia la forma de enseñar. Santander: Ediciones Universidad Cantabria.
Gur-Zeév, I. (2011). Improvisation, violence and peace education. In P. P. Trifonas & B. Wright (Eds.), Critical Issues in Peace and Education (pp. 104-120). New York: Routledge.
Hargreaves, A., & Fullam, M. (2014).Capital profesional. Madrid: Morata.
Harris, I. (2009). A select bibliography for peace education. Peace and Change, 34(4), 571-576.
Herrera, L., Cremades, R., & Lorenzo, O. (2010). Preferencias musicales de los estudiantes de Educación Secundaria Obligatoria: influencia de la educación formal e informal. Cultura y Educación, 22(1), 37-51. doi:10.1174/113564010790935222
Hickey, M. (2009). Can improvisation be “taught”?: A call for free improvisation in our schools. International Journal of Music Education, 27, 285-299.
Hickey, M. (2015). Learning From the Experts. A Study of Free-Improvisation Pedagogues in University Settings. Journal of Research in Music Education, 62, 425-445.
Kasten, L. (2017). When Less Is More: Constructing a Parsimonious Concept of Interstate Peace for Quantitative Analysis. International Studies Review, 19(1), 28-52. doi: https://doi.org/10.1093/isr/vix002
Koutsoupidou, T., & Hargreaves, D. J. (2009). An experimental study of the effects ofimprovisation on the development of children’s creative thinking in music. Psychology of Music, 37(3), 251-278. doi: https://doi.org/10.1177/0305735608097246
Lapidaki, E., de Groot, R., & Stagkos, P. (2012). Comunal creativity as socio-musical practice. In G. Welch y G. McPherson (Eds.), The Oxford Handbook of music education (pp. 371-378). New York, EEUU: Oxford University Press.
Leung, B. W. (2004). A Framework For Undertaking Creative Music-Making Activities In Hong Kong Secondary Schools. Research Studies in Music Education, 23(1), 59-75. doi: https://doi.org/10.1177/1321103X040230010901
MacDonald, R. (2014). We are all musical: investigating improvisation as collaborative creativity. In M. S. Barrett(Ed.), Collaborative creative thought and practice in music (pp. 3-14). Farnham, Surrey, United Kingdom: Ashgate.
Major, A. (2007). Talking about composing in secondary school music lessons. British Journal of Music Education, 24(2), 165-178.
McGillen, C. W. (2004). In conversation with Sarah and Matt: perspectives on creating and performing original music. British Journal of Music Education, 21(3), 279-293.
Mcgillen, C., & McMillan, R. (2005). Engaging With Adolescent Musicians: Lessons In Song Writing, Cooperation And The Power of Original Music. Research Studies in Music Education, 25, 1-20.
Miell, D., & Littleton, K. (Eds.) (2004). Collaborative Creativity: Contemporary Perspectives. London: Free Association Books.
Moreno, M. C., Muñoz, V., Pérez, P. J., & Sánchez, I. (2004). Incidencia del maltrato entre iguales durante la adolescencia en España. Portularia. Revista de Trabajo Social, 4, 307-316. Recuperado de https://idus.us.es/xmlui/bitstream/handle/11441/23189/file_1.pdf?sequence=1
Odam, G. (2000). Teaching composing in secondary schools: the creative dream. British Journal of MusicEducation, 17(2), 109-127.
Oñate, A., & Piñuel, I. (2006). Informe Cisneros X: Acoso y violencia escolar en España. Madrid: Instituto de Innovación Educativa y Desarrollo Directivo.
Redondo, S., Navarro, E., Gutiérrez, S., & Iglesias, I. I. (2017). Mejora del aprendizaje en las organizaciones a través de comunidades virtuales. Revista Complutense de Educación, 28(1), 101. doi: http://dx.doi.org/10.5209/rev_RCED.2017.v28.n1.48973
Rusinek, G. (2012). Action-research on collaborative composition: An analysis of research questions and designs. In O. Odena (Ed.), Musical creativity: Insights from music education research (pp. 185-200). Ashgate, Farnham, UK.
Saether, E., Mbye, A., & Shayesteh, R. (2012). Intercultural Tensions and Creativity in Music. In G. Welch & G. McPherson (Eds.), The Oxford Handbook of music education (pp.354-370). New York, EEUU: Oxford University Press.
Sanz, A. L., & Molano, E. (2014). Bullying: What´s going on? A bibliographic review of last twelve months. Procedia – Social and Behavioral Sciences, 132, 269-276. doi: 10.1016/j.sbspro.2014.04.309
Saunders, L., & Somekh, B. (2009). Action Research and Educational Change: Teachers as innovators. In S. NoffkeyB. Somekh (Eds.), The Handbook of Educational Action Research (pp. 190-201). Thousand Oaks and London: Sage.
Sawyer, R. K. (2008). Learning music from collaboration. International Journal of Education, 47, 50-59. doi: https://doi.org/10.1016/j.ijer.2007.11.004
Sawyer, R. K. (2003). Group creativity: Music, theater, collaboration. Mahwah, NJ: Erlbaum.
Seddon, F. A. (2005). Modes of communication during Jazz improvisation. British Journal of Music Education, 22(1), 47-61.
Seddon, F. A. (2012). Empathetic creativity in music making”. In O. Odena (Ed.), Musical creativity: Insights from music education research (pp. 133-147). Farnham, UK: Ashgate Publishing.
Serrano, A., & Iborra, M. (2005). Informe, violencia entre compañeros en la escuela.Valencia: Goaprint.
Soares, J. (2012). The nature of the engagement of Brazilian adolescents in composing activities. In O. Odena (Ed.), Musical Creativity: Insights from Music Education Research (pp. 113-132). Ashgate, Farnham, UK: Ashgate.
Thompson, W (2009). Soundpainting, el arte de la composición en directo. Eufonía, 47, 77-83.
Thompson, W. (2006). Soundpainting: The art of live composition. Workbook 1. New York: Walter Thompson Orchestra.