“A New Age for the Living Dead”: Palestinian Nation-Building Through Theater: “Una nueva era para los muertos vivientes”: La construcción de una nación Palestina a través del teatro

Reuven Snir

doi:10.30827/meaharabe.v73.26033

Autores/as

Reuven Snir University of Haifa https://orcid.org/0000-0002-4505-2918

DOI:

https://doi.org/10.30827/meaharabe.v73.26033

Palabras clave:

Teatro palestino. François Abū Sālim. Al-Ḥakawātī. Nakba. Construcción de la nación

Resumen

El artículo es un intento de rastrear el surgimiento y desarrollo del teatro palestino, a la sombra del conflicto árabe-israelí y en el contexto de la Nakba y la construcción de la nación palestina. La discusión se refiere a los primeros intentos dramáticos y teatrales durante la primera mitad del siglo XX, el desarraigo y la decadencia después de la guerra de 1948, la represión de las actividades culturales palestinas durante la década de 1950, y el nuevo comienzo y crecimiento del teatro profesional después de la guerra. 1967, especialmente la compañía al-Ḥakawātī. El fundador de esta compañía de teatro es François Abū Sālim (Abu Salem) (1951-2011), hijo de un poeta francés nacido en Hungría y de un pintor y escultor francés que se integró a la identidad y cultura palestina. La profesionalización del teatro palestino en general ha ido tomando una línea paralela a la escalada de resistencia y ha estado a la altura de los desafíos históricos, desafiando las penurias impuestas por la censura, el aislamiento geográfico y la falta de educación.

Descargas

Los datos de descargas todavía no están disponibles.

Citas

ABŪ SĀLIM, “Exclusion – Insertion en Palestine” (I thank Katharina Lack, who received the essay in person from Abū Sālim in 2006).

AGASSI (AGHĀSĪ), Eliyahu (ed.). Fī mahrajān al-adab. Tel Aviv: Maṭba‘at Davar, 1959.

‘ALYĀN. “Al-Masraḥ al-Filasṭīnī, al-masār wa-l-intifāḍa”. Balsam, April 1992, pp. 84–87.

AND, Metin. A History of Theatre and Popular Entertainment in Turkey. Ankara: Forum Yayinlari, 1963-1964.

ASHRAWI, Hanan Mikhail. Contemporary Palestinian Literature Under Occu- pation. Birzeit: Birzeit University Publications, 1976.

AL-BARGHŪTHĪ, ‘Abd al-Laṭīf. Al-Aghānī l-sha‘biyya fī Filasṭīn wa-l-Urdun. Jerusalem: Maṭba‘at al-Sharq al-‘Arabiyya, 1979.

BEN ZE’EV, Na’ama. “‘I Came Naïve from the Village’: on Palestinian Urbanism and Ruralism in Haifa under the British Mandate”. British Journal of Middle Eastern, 47, 2 (2020), pp. 264-281.

BSĪSŪ, Mu‘īn. Al-A‘māl al-masraḥiyya. Acre: Dār al-Aswār, 1988.

DARWĪSH, Maḥmūd. “Anqidhūnā min Hādhā l-Ḥubb al-Qāsī”. Al-Jadīd, (June 1969), pp. 2-4.

EVEN-SOHAR, Itamar. ‘Laws of Cultural Interference’. In Papers in Culture Research. Tel Aviv: Tel Aviv University, 2005, pp. 52-69.

GHASSĀN, ‘Abd Allāh. Al-Masraḥ al-filasṭinī bayna al-tajriba wa-l-aṣāla. Jeru- salem: n.pub., 1979.

ḤABĪBĪ, Imīl. Al-Waqā’i‘ al-gharība fī Ikhtifā’ Sa‘īd Abī l-Naḥs al-Mutashā’il. Haifa: Dār al-Ittiḥād, 1974.

—. Luqa‘ ibn Luqa‘ [Imīl Ḥabībī, Luka‘ ibn Luka‘. Nazareth: Manshūrāt Dār 30 Ādhār, 1980.

—. The Secret Life of Saeed, the Ill-Fated Pessoptimist. Trans. Trevor Le Gas- sick.. New York: Vintage Press, 1982.

—. Sudāsiyyat al-Ayyām al-Sitta; al-waqā’i‘ al-gharība fī Ikhtifā’ Sa‘īd Abī l- Naḥs al-Mutashā’il wa-qiṣas ukhrā. Haifa: Dār al-Ittiḥād, 1985.

ḤADDĀD, Mīshīl Iskandar and QA‘WĀR, Jamāl. Ẓalām wa-Nūr. Nazareth: Ma- ktabat al-Jalīl, 1954.

HOBSBAWM, Eric and RANGER, Terence (eds.). The Invention of Tradition. Cambridge: Cambridge University Press, 1992 [1983].

HUGO, Victor-Marie. The Hunchback of Notre Dame. Reading, PA: Spencer, 1937.

—. Notre-Dam de Paris. Paris: Librairrie Greund, 1956 [1831].

—. Aḥdab Notre Dame. Trans. Ramaḍān Lāwand. Beirut: Dār al-‘Ilm li-l- Malāyīn, 1989.

ḤUSAYN, Kamāl al- Dīn. Al-Turāth al-sha‘bī fī l-masraḥ al-miṣrī. Cairo: al-Dār al-Miṣriyya al-Lubnāniyya.

IBN AL-NADĪM. The Fihrist. Ed. and Trans. Bayard Dodge. New York & Lon- don: Columbia University Press, 1970.

—. Al-Fihrist. Al-Dawḥa: Dār Qaṭrī ibn al-Fujā’a, 1985.

IBN QUTAYBA, ‘Abd Allāh ibn Muslim. ‘Uyūn al-Akhbār. Cairo: Maṭba‘at Dār al-Kutub al-Miṣriyya, 1928.

AL-JAWZĪ, Naṣrī. Ta’rīkh al-masraḥ al-filasṭīnī 1918-1948. Nicosia: Sharq Press, 1990.

JOHANSSON, Ola and WALLIN, Johanna (eds.). The Freedom Theatre Perfor- ming Cultural Resistance in Palestine. New Delhi: LeftWord Books, 2018.

KELLNER, Douglas. “Popular Culture and the Construction of Postmodern Iden- tities”. In Scott LASH and Jonathan FRIEDMAN (eds.). Modernity and Iden- tity. Oxford & Cambridge, MA: Blackwell, 1991, pp. 141-177.

LANDAU, J. M. Studies in the Arab Theatre and Cinema. Philadelphia: Univer- sity of Pennsylvania Press, 1958.

LANE, Edward William. Manners and Customs of the Modern Egyptians. Lon- don: Dent and New York: Dutton, 1954 [1908].

MACDONALD, Margaret Read (ed.). Traditional Storytelling Today. London and Chicago: Fitzroy Dearborn, 1999.

MOREH, Shmuel. Bibliography of Arabic Books and Periodicals Published in Israel 1948-1972. Jerusalem: The Hebrew University, 1974.

NAKHLE-CERRUTI, Najla. La Palestine sur scène: Une aproche géocritique du théâtre palestinien (2006-2016). Ph.D. thesis, Sorbonne Paris Cité University, 2019.

NEVO, Eshkol. Hareʼyon Ha-Aḥaron. Tel Aviv: Kinneret Zmora-Bitan, Dvir Books, 2018.

OUYANG, Wen-chin. Literary criticism in Medieval Arabic-Islamic culture: The making of a tradition. Edinburgh: Edinburgh University Press, 1997.

PELED, Mattityahu. “Annals of Doom”. Arabica, XXIX, 2 (1982), pp. 141-183 SAYEGH, Anis (ed.). Encyclopaedia Palaestina. vol. IV: Studies in Civilization. Damascus & Beirut: Encyclopaedia Palaestina Corporation, 1990.

AL-SAWĀFĪRĪ, Kāmil. Al-Adab al-‘arabī l-mu‘āṣir fī Filasṭīn min sanat 1860- 1960. Cairo: Dār al-Ma‘ārif, 1979.

—. “Al-Bidāyāt al-ūlā li-l-masraḥ al-muqāwim fī l-arḍ al-muḥtalla”. Al-Aqlām, (March 1980), pp. 131-138.

SEBEOK, Thomas A. (ed.). Encyclopedic Dictionary of Semiotics. Berlin: Mou- ton de Gruyter, 1986.

SHIḤĀDA, Rāḍī. “Masraḥ al-ḥakawātī al-filasṭīnī”. Al-Karmil, 31 (1989), pp. 172-191.

SHINAR, Dov. Palestinian Voices: Communication and Nation Building in the West Bank, Boulder, CO: Lynne Rienner, 1987.

SMITH, Anthony D. National Identity. Harmondsworth: Penguin Books, 1991. SNIR, Reuven. “‘A Wound Out of His Wounds’: Palestinian Arabic Literature in Israel.” Alpayim 2 (1990), pp. 244–268.

—. “‘We Were Like Those Who Dream’: Iraqi-Jewish Writers in Israel in the 1950’s”. Prooftexts, 11 (1991), pp. 153-173.

—. Palestinian Theatre. Wiesbaden: Reichert Verlag, 2005.

—. “The Emergence of Palestinian Professional Theatre after 1967: al-Balālīn Self-Reference Play al-‘Atma (The darkness)”. Theatre Survey, 46, 1 (2005), pp. 5-29.

—. Modern Arabic Literature: A Theoretical Framework. Edinburgh: Edinburgh University Press, 2017.

SULAYMĀN, Muḥammad. Al-Ṣiḥafa al-filasṭinyya wa-qawānīn al-intidāb al- bariṭānī. Nicosia: Bīsān Press, 1988.

URIAN, Dan. “Perspectives on Palestinian Drama and Theatre: A Symposium”. In Linda BEN-ZVI (ed.). Theater in Israel. Ann Arbor: The University of Mi- chigan Press, 1996, pp. 323-345.

WALLIN, Johanna (ed.). Rehearsing Freedom: The Story of a Theatre in Palesti- ne. New Delhi: LeftWord Books, 2017.

http://www.thefreedomtheatre.org/ (accessed on 05/08/2019) https://en.wikipedia.org/wiki/Al-Midan_Theater (accessed on 05/08/2019).