Dos narraciones impresionistas hebreas: Horizonte y Badenheim, 1939

Abstract

This paper surveys two impressionist hebrew works: Horizon of Binyamin Tamuz and Badenheim, 1939 of Aron Appelfeld. The process of study corresponde with the next structure: 1. Approach to the genesis of the work; 2. A descriptive reading of anecdotic level; 3. An interpretative reading of ideologic and symbolic levels.