Trauma as Habituation to a New Catastrophic Reality in the Novel “Brisbane” by Ye. Vodolazkin
DOI:
https://doi.org/10.30827/cre.v19.27190Palabras clave:
“Brisbane”, Vodolazkin, trauma, creativity crisis, polyphonyResumen
The study is devoted to the motif of trauma in the novel “Brisbane” by E. Vodolazkin. The article provides an analysis of the realization of the trauma motif as a creative crisis in which the protagonist is gradually immersed. The novel represents the hero’s habituation to his new traumatic condition. Two temporal layers – past and present – run simultaneously in the novel. Soon the gap between them becomes hardly recognizable, eventually merging into the unity of the existence experienced in the present and colored by the past. Balancing on the edge of past and present, where the echoes of each period resonate in the hero’s soul, constitutes the polyphony of the novel “Brisbane”. It is realized at two levels: temporal-spatial and narrative-musical setting of the work.
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