The Rhythmic Composition of Anatoly Kim's Prose
DOI:
https://doi.org/10.30827/cre.v18.25975Palabras clave:
Anatoly Kim, rhythmic prose, metrical prose, colonResumen
This study examines two stages of the rhythmic organization in Anatoly Kim’s works – prose rhythm and metrical prose which are related to each other in a hierarchical relationship according to the principle of gradation of rhythmic elements. As a rule, Kim’s underlying motive of rhythmic organization is the desire to share the knowledge most important to him. The moment of direct sharing of this “personal meaning” is framed rhythmically. Also, one of the most important reasons why Kim refers to rhythmic prose, especially to metrically organized prose, is the attempt, to significantly transform the familiar meanings of words, and present them in an unfamiliar form to the context of the work, finding additional qualities of their rhythmic unity: for example, instead of talking about the existence of eternity, to make it possible to feel its presence almost physically.
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