Ontologías híbridas: materiales, culturas experimentales y género

Autores/as

DOI:

https://doi.org/10.30827/dynamis.v43i2.29440

Resumen

Cuando en

Nunca fuimos modernos

Bruno Latour mostró el poco recorrido que tenía la polaridad clásica —el sujeto frente al objeto, lo social frente a lo natural— para pensar los distintos problemas que plantean las sociedades contemporáneas, puso sobre la mesados cuestiones claves que centraron su crítica a la modernidad. La primera tiene que ver con el ocultamiento que ese análisis polarizado hacía del carácter político y cultural que conlleva toda forma de conocer. Y la segunda con la incapacidad que estas dicotomías tienen para incorporar muchos objetos que, al convivir en ellos lo natural y lo cultural, son dif íciles de encajar. A estos objetos que Bruno Latour llamó híbridos está dedicado este monográfico.

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Publicado

2023-12-27

Cómo citar

Romero de Pablos, A., & Santesmases, M. J. (2023). Ontologías híbridas: materiales, culturas experimentales y género. Dynamis, 43(2), 327–337. https://doi.org/10.30827/dynamis.v43i2.29440