El sujeto cultural (pos)colonial y de la poscolonia: ¿hacia una crítica literaria para los estudios hispanoafricanos?

Abstract

Before the uprising of the hispano africana literature (from Equatorial Guinea) and its particular historical, sociocultural and political context, the main question is : how is it possible to find out the interpretation keys of equatorial guinean literary production if it is precisely one of the forgotten voices ; one of these subaltern voices of the hispanic literatures ? In the present essay, I aim to answer to this interrogation pointing out two epistemological and hermeneutic proposals  driven  by  two  theoretical  keys:  the  (pos)colonial subject of  Edmond Cros and the the subject of poscolonia of achille Mbembe. These two poscolonial theoreticians give me thus the opportunity not only to goin depth through the complexity of the equatorial guinean poscolonialism but also to ascertain the effectiveness of  these  literary  criticism  tools  proposed  to  analyze  Nambula of Maximiliano Nkogo and Cuentos crudos of tomás Ávila.