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Authors

  • Vincent Parello Université Montpellier III
Vol. 29 (2014): Récits de Voyages et Gender dans Les Amériques (1830-1850) Une Esthétique de l’ambigüité, Dossier, pages 203-230
Submitted: Dec 18, 2014 Published: Dec 18, 2014

Abstract

More than four hundred years after, the life of Inés Suárez still arouse the admiration of all lovers of historical novels and book travels. This humble seamstress, who was born in a little village near Plasencia, Extremadura, became the actual owner of Cuzco after the death of her first husband, Juan de Málaga. After this, she was conquistadora and encomendera of Chile with her lover, don Pedro de Valdivia. At forty, she finally became the wife of Chile’s governor Rodrigo de Quiroga. Inés Suárez is a combination of different archetypes of femininity: loose  woman,  holy  warrior,  protect  virgin  and  perfect  wife  according  to  the Catholic Church. If historical Inés ascended the social ladder and is known for her military glory, the fictional Inés of Isabel Allende’s novel is also illustrious in her condition of narrator and writer.

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